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A Night At The Opera

Description
This movie follows the love story of the ambitious and talented singer, Ricardo, who falls in love with the beautiful Rosa, but he struggles against the evil and famous, Lassparri, who is also in love with Rosa, but upon knowing that she loves Ricardo, he decides to revenge, but Otis B. Driftwood, helps the couple by standing against Lassparri.
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A Night At The Opera
CRITICS OF "A Night At The Opera"
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Reel Film Reviews
Resource

February 28, 2006

...generally an entertaining piece of work...
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Cinema em Cena

March 11, 2009

Embora empalideça diante de Diabo a Quatro, melhor filme dos irmãos, traz algumas das cenas mais memoráveis da trupe, dos jogos de palavras às gags físicas.
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New York Times

March 25, 2006

The loudest and funniest screen comedy of the Winter season.
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Las Vegas Review-Journal

January 13, 2006

Classic, classy Marxist mayhem
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Time Out
Resource

January 26, 2006

The Brothers get to perform some of their most irresistible routines.
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Common Sense Media

December 21, 2010

Marx Brothers masterpiece is still hilarious.
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Variety
Resource

June 26, 2007

The backstage finish, with Harpo doing a Tarzan on the fly ropes, contains more action than the Marxes usually go in for, but it relieves the strictly verbal comedy and provides a sock exit.
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TV Guide
Resource

June 26, 2007

Fondly remembered for such classic comedy bits as Groucho and Chico drafting a contract, the stateroom scene, and the hilarious climax where the brothers make a shambles of Il Trovatore. Sans Duck Soup, we'll watch this any day.
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LarsenOnFilm
Resource

February 18, 2013

...Groucho's flirtation with respectability and devilish realization that it's much more rewarding to play the clown.
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DVDJournal.com
Resource

April 04, 2006

[The Marx Brothers] still let the air out of stuffed shirts and barbecue a few sacred cows, but something got lost in all that MGMness when the screen's ultimate anti-authoritarian team starting working the Andy Hardy side of the street.
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Chicago Reader
Resource

June 26, 2007

Never was a director more aptly named than Sam Wood: his movies are redwood forests of unrelieved monotony.
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The Nation
Resource

January 18, 2013

It is exciting and perfect; a sign that they have at last learned how to use every resource which Hollywood can offer them; and the simplest reason I can find for calling them funny beyond the power of words to spoil the fun.
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