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DIRECTORS OF "A Thin Line Between Love and Hate"
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CREATORS OF "A Thin Line Between Love and Hate"
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HEROES OF "A Thin Line Between Love and Hate"
A Thin Line Between Love and Hate
CRITICS OF "A Thin Line Between Love and Hate"
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Filmcritic.com

May 28, 2002

Any movie with a bar called Chocolate City can't be all bad, right?
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Film4
Resource

August 12, 2009

Tiresome stuff, bearable only if you can overlook the questionable premise and find something to like in Lawrence's Eddie Murphy-lite turn.
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New York Times

May 20, 2003

Too serious to be a comedy, too flippant to be a thriller, it often feels like a backhanded act of penance for the misogynist humor in the star's comedy act.
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San Francisco Examiner
Resource

January 01, 2000

[Lawrence] doesn't seem to know that his protagonist is a deceptive, frivolous, fast-talking and surprisingly stupid womanizer.
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San Francisco Chronicle
Resource

June 18, 2002

[Lawrence is] a charming, gifted comic with a killer smile, but he's way out of his depth in this Fatal Attraction knockoff, which he also co-wrote and stars in.
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TV Guide
Resource

August 12, 2009

A thin line? Not in this case.
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Variety

March 26, 2009

Sluggishly paced and too seldom funny...
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TheMovieReport.com
Resource

January 12, 2004

A ponderous vanity project that is unfunny and, worst of all, just plain boring.
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USA Today

January 01, 2000

A Thin Line Between Love and Hate takes its name from the Persuaders 1971 hit that has been re-recorded by the Pretenders, Annie Lennox and H-Town. You could have just as much fun simply playing one of them and skipping the movie.
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Boxoffice Magazine
Resource

June 05, 2002

In showing the importance of monogamy, the film is profound enough that it could lead couples to reevaluate themselves; women will look at their new men a bit more quizzically, and men will be less likely to say "I love you" unless they mean it.
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Time Out
Resource

February 09, 2006

The script lacks wit and depth, while Lawrence's direction is meandering and undramatic, full of showy, over-elaborate camera movements.
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ReelViews
Resource

January 01, 2000

The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength.
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