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A Woman, a Part

Description
An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.
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DIRECTORS OF "A Woman, a Part"
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CREATORS OF "A Woman, a Part"
A Woman, a Part
CRITICS OF "A Woman, a Part"
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Screen International
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March 20, 2017

The feature debut from award-winning short film director Elisabeth Subrin is a rewarding, if occasionally solipsistic, study of a complex, mature woman at a crossroads in her life.
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RogerEbert.com
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March 22, 2017

A Woman, a Part mixes passion and ambivalence to create a work with ambiguities that seem earned, and lived in.
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New York Times
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March 21, 2017

Touching on issues of artistic survival and the porous boundary between work and pleasure, Ms. Subrin, an accomplished visual artist and filmmaker, sifts addiction, celebrity and the plight of the aging actress into something rarefied yet real.
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Brooklyn Magazine
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March 20, 2017

For her feature debut, Subrin forsakes the experimentalism of her short films and video installations for a relatively conventional narrative and storytelling grammar. No matter: A Woman, A Part is compelling all the same.
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Variety
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March 28, 2017

"A Woman, a Part" knows how to hold an audience, and it's got a fresh, if commercially limited, subject: What happens when hipsters get old.
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Slant Magazine
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March 19, 2017

The film's depiction of friendship seldom pushes past insights predicated on a fundamental tension between characters.
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Hollywood Reporter
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March 20, 2017

It's chiefly notable for Cara Seymour's nuanced supporting turn as Anna's sometime best friend, Kate.
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Spirituality and Practice
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March 17, 2017

Portrait of one woman's resilience as she moves through a difficult mid-life crisis.
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Village Voice
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March 22, 2017

Siff gives a modest but poignant performance that rings true for women of a certain age and career.
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The Young Folks
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March 24, 2017

A Woman, A Part is excellent storytelling from start to finish and I can't wait to see what story Subrin tells next.
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