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Artificial Intelligence AI
Description
In the futuristic tale, a highly advanced robotic boy named David longs to become 'real' so that he can be loved by his mother and his father in that happy place called home.
In the futuristic tale, a highly advanced robotic boy named David longs to become 'real' so that he can be loved by his mother and his father in that happy place called home.
Actors:
Ty Coon,
Tim Rhoze,
Chris Rock,
Max Brody,
Jeremy James Kissner,
Curt Youngberg,
Dillon McEwin
Ty Coon
Tim Rhoze
Chris Rock
7 February 1965, Andrews, South Carolina, USA
Max Brody
Jeremy James Kissner
24 March 1985, Minneapolis, Minnesota, USA
Curt Youngberg
14 April 1986, Riverside, California, USA
Dillon McEwin
12 January 1987, Lubbock, Texas, USA
Country:
United States
Keywords:
#Artificial Intelligence AI #Frances O'Connor #Haley Joel Osment #Jude Law #Steven Spielberg
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An unsettling sci-fi fairytale mélange of "Pinocchio" and "The Wizard of Oz" that's elegantly written, visually opulent and thematically challenging and discontented. One of Steven Spielberg's finest, and most fiercely misread, films.
February 09, 2006
At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
June 17, 2008
Shows a more complicated understanding of childhood than you would expect...
New York Magazine/Vulture
October 29, 2001
Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself.
May 16, 2011
Flawed, to be sure, but beautifully crafted, unimaginably complex, visually dazzling, rich with metaphor and deeply affecting.
April 21, 2011
A confined domestic drama, a considerable morality tale, a fleeting futuristic noir, a persecution parable, an on-the-nose fairy tale adventure... and then it keeps going.
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Provocative movie suitable for teens.
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The most puzzling, trippiest piece of pop fantasy of Spielberg's career.
February 14, 2010
A "good" A.I. would be of infinitely less value than the A.I. that we have...a staggering creation.
August 16, 2007
At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
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July 16, 2001
The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964.