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Audition

Description
Following the death of his wife, Shidehara Aoyama, a Japanese widower, who driven by his grief for losing his wife, decides to stay alone and raise his son, who in order to convince his father to remarry, asks for help from his best friend who is a film producer to search for a woman to marry him, by convincing him to take part in a fake movie.
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Audition
CRITICS OF "Audition"
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EmanuelLevy.Com
Resource

December 20, 2010

An extremely disturbing and violent psychological thriller from the gifted Japanese director Takashi Miike, which will linger in memory long after you see the film.
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Radio Times
Resource

December 13, 2015

If you can stomach it, this profoundly moving film will leave you dazed.
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Los Angeles Times
Resource

November 16, 2001

A diabolically adroit piece of filmmaking that goes even further than the films of Italy's excruciatingly macabre Dario Argento.
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Suite101.com
Resource

September 25, 2010

It's Japanese provocateur Takashi Miike's best film - a mordant spin on "Little Red Riding Hood" with sexist expectations as the wolf on which the tables are turned. Its "kiri, kiri" refrain also is the Zeroes' answer to "Is it safe?" from "Marathon Man."
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Philadelphia Inquirer

November 01, 2001

This brazen shocker is never less than compelling -- even when you feel compelled to shut your eyes.
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The Skinny
Resource

March 01, 2016

With escalating unease and a switch and bait that Hitchcock would be proud of, Audition culminates in its infamously disturbing dénouement.
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Boston Globe

November 30, 2001

This movie, at just under two hours, is a long crawl from inception to climax.
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Guardian
Resource

December 10, 2015

A stomach-turning masterpiece.
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Houston Chronicle

October 19, 2001

There will be many people who consider Audition an atrocity, and a few who find it a stimulating cinema experience.
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Reel Times: Reflections on Cinema
Resource

March 09, 2011

Whether reading Audition as a portrait of coming to terms with grief, a feminist revenge tale, or a graphic exploration of romantic attachment and idealism, it remains a terrifying film.
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Chicago Tribune
Resource

November 29, 2001

Miike is brilliant at transforming the mundane and familiar ... into something sinister and eerie.
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Dallas Morning News

October 18, 2001

The shock imperative takes on a life of its own and floats away from the lengthy setup.
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