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Batman Returns

Description
This movie revolves around the dangerous plan held against Gotham city, where the evil and outlaw business united with the wicked penguin, but their plan has been destroyed by the strong Batman, who defends the Gotham city, against the evilness and corruption.
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Batman Returns
CRITICS OF "Batman Returns"
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Radio Times
Resource

December 03, 2013

Even though fans of the 1960s TV show may reject its brooding atmosphere, this is still impressive stuff.
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Tulsa World
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December 14, 2014

Director Tim Burton, apparently given a free hand to create a follow-up to the hugely successful 1989 Batman, marshals all his forces to create an elaborately melancholy ode to alienation.
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Philadelphia Inquirer
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April 10, 2013

As Beetlejuice and Edward Scissorhands reminded us, Burton always has been more absorbed by what his audience sees than by what his movies say.
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Lyles' Movie Files
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September 30, 2013

If Christopher Nolan never decided to direct a Batman movie, 'Batman Returns' would easily reign as the best film starring the Caped Crusader.
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Boston Globe

April 10, 2013

Batman Returns is the rarest of Hollywood beasts -- a sequel that's better than the original
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LarsenOnFilm
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July 31, 2016

...embraces the weirdness of the saga without a hint of hesitation.
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Chicago Tribune
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December 14, 2014

There are flashes of commercially oriented action and humor, but the overall feeling is one of a languid depression sprung straight from the heart of its author.
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Vue Weekly (Edmonton, Canada)
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December 27, 2013

Among the 1990s' most fruitful marriages of high-brow auteurist style and pulp source material. A Burtonesque layer cake: at bottom, his take on German Expressionism; then the Gotham grotesquerie; topping it all off is a fissuring, fracturing fairytale.
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TIME Magazine
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April 10, 2013

Burton, once an animator at Disney, understands that to go deeper, you must fly higher, to liberation from plot into poetry. Here he's done it. This Batman soars.
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People Magazine

December 03, 2013

Batman Returns, though, is full of grim, Dostoyevskian undertones, not to mention a multitude of bloody, violent scenes.
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Los Angeles Times
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December 14, 2014

[Burton's] dark, melancholy vision is undeniably something to see, but it is a claustrophobic conception, not an expansive one, oppressive rather than exhilarating, and it strangles almost all the enjoyment out of this movie without half trying.
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New Yorker
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April 10, 2013

As in the first movie, Burton gives the material a luxurious masked-ball quality and a sly contemporary wit without violating the myth's low, cheesy comic-book origins.
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