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CREATORS OF "Black Death"
Black Death
CRITICS OF "Black Death"
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Film and Felt
Resource

January 02, 2012

An entertaining, if by-the-numbers, entry to the sword-and-shield genre, Black Death features lots of blood, disease, and the seemingly requisite Sean Bean.
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Deadspin
Resource

June 22, 2013

Acts as if no one ever thought to make a movie about the bubonic plague before.
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New York Times

March 11, 2011

Slams Christians against pagans with little love for either.
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IdentityTheory
Resource

December 18, 2011

A film without the ideas or guts to bring hell to life onscreen.
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New York Post
Resource

March 11, 2011

Though deadly serious, Christopher Smith's European-made bubonic- plague melodrama provides good value with lots of blood and guts, as well as a solid cast.
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We Got This Covered
Resource

July 24, 2013

In Black Death, Christopher Smith effectively creates a creepy and unsettling atmosphere with great production values. He shows lots of potential as a director and I'm looking forward to seeing what he does next.
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NPR
Resource

March 12, 2011

"Going medieval" on your enemies isn't just a figure of speech in Christopher Smith's stylish spatter-horror exercise, which uses desperation-fueled religious fervor to interrogate the intersection of fear and faith.
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Laramie Movie Scope
Resource

February 02, 2012

It shows the worst things that people do to each other in the name of religion. This could have been more of a thought-provoking film, but it turns into a gore porn display.
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Los Angeles Times
Resource

March 10, 2011

Early on "Black Death" falls victim to its own sluggish sickness, its narrative drive proving no match for the aggressively rotted pallor, dour acting and tiresomely handheld you-are-there aesthetics.
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Cinema Writer
Resource

January 27, 2012

Bean owns this movie.
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Christian Science Monitor
Resource

March 11, 2011

There's something here for just about everyone, or at least for everyone who looks back fondly on the similarly themed Wicker Man from 1973.
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AV Club
Resource

March 10, 2011

Smith effectively recreates the chaos of the medieval era, where the educated and ignorant alike make life-and-death decisions based on superstition.
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