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Boo! A Madea Halloween
Description
Madea cracks every rib as she begins to fight of ghosts and zombies and at the same time protect some stubborn kids.
Madea cracks every rib as she begins to fight of ghosts and zombies and at the same time protect some stubborn kids.
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October 29, 2016
By removing most of the "Go with God" material, the faith-based filmmaker has created his most consistent mainstream comedy to date.
November 02, 2016
No matter how many films Perry writes, directs, produces, and stars in, he's not especially interested in getting better at it.
October 21, 2016
Mr. Perry is ... an eccentric, inspired performer, and his screen-filling antics as the raucous but righteous Madea - a character who runs through Mr. Perry's stage, film and TV work - is the truly pertinent component here.
October 28, 2016
The fans will probably be pleased, but the most interesting thing about this one is how Perry finesses playing scenes with himself in three different roles.
October 21, 2016
This comedy is unlikely to win over any new fans, but the devoted will find comfort in the familiarity.
December 17, 2016
The best of all the Madea films.
October 28, 2016
Boo! is certainly the most watchable Madea movie I've seen in a long time, even though I get the feeling Perry still doesn't know how to direct for the screen.
November 02, 2016
Instead of running full force with the conceit, Perry's own directorial limitations hinder the finished product.
October 21, 2016
At 103 minutes, this film has way too much dead weight. Scenes are repeated over and over, and some of the acting would not cut it in a school play.
October 30, 2016
Isn't a bad movie by any stretch, but it is Tyler Perry's most unfocused and tonally inconsistent.
October 21, 2016
Madea remains a distinctive, weirdly compelling character. Maybe someday Perry will make a good comedy for her.
October 21, 2016
"A Madea Halloween" is rare for Perry in that it's one of only two "Madea" films not adapted from a stage play, but it sure feels like one, with several scenes ... feeling like a one-act, one-room play that goes on and on and on.