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Camino
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Camino

Description
Set in the jungles of Colombia, the movie chronicles the misadventures of Avery, a photojournalist who captures the truth behind a group of missionaries who may not be what they seem.
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DIRECTORS OF "Camino"
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CREATORS OF "Camino"
Camino
CRITICS OF "Camino"
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Cinemalogue.com
Resource

March 04, 2016

... jettisons any provocative exploration of its multicultural subject matter and devolves into a mindless ultraviolent bloodbath.
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Examiner.com
Resource

March 07, 2016

A forgettable jungle chase flick that fails to play up to Bell's considerable strengths.
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AV Club
Resource

March 03, 2016

The real downfall of Camino is its script, which screenwriter Daniel Noah says was written into two days-and it shows.
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Movie Nation
Resource

March 04, 2016

Stuntwoman/actress Zoe Bell is better in a brawl than in delivering the hackneyed dialogue this picture demands of her.
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Hollywood Reporter
Resource

February 29, 2016

A lackluster cat-and-mouse game.
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Mark Leeper's Reviews
Resource

March 20, 2016

The film is neither as serious nor as entertaining as it was trying to be. The road in CAMINO is one well-traveled.
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Variety
Resource

March 06, 2016

A competent but unmemorable B-movie that eschews any real political content in favor of simple, brutal survival melodrama with scant room for surprises in plot, character or directorial style.
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The Young Folks
Resource

March 06, 2016

Bell manages to put a disarming amount of heart, emotion and pain into her performance... But the film fails to match Bell's performance.
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Daily Dead
Resource

December 21, 2016

While it definitely could have benefitted by being about 15 minutes shorter, Camino is an admirable effort from director and co-writer Josh C. Waller, who effectively ratchets up the tension throughout his savage thriller to an almost frenetic pace.
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rec.arts.movies.reviews
Resource

March 06, 2016

This Noah/Waller picture, featuring stuntwoman-turned-actress-turned-stuntwoman Zoe Bell, is neither taxing nor terribly potent.
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Los Angeles Times
Resource

March 03, 2016

[Bell's] anticipated hand-to-hand encounters are ultimately beaten into submission by an irritating atonal score that constantly drowns any trace of nuance under an onslaught of shrill electronic sludge.
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Under the Radar
Resource

March 29, 2016

Predictability undermines the action and suspense elements.
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