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CandyMan

Description
Driving by her disbelieve in the myths and fables, a young student, makes a thesis in that subject, so she goes to an isolated town, in order to study the evil soul that has been murdered, so she makes the spell to call him by standing in front of the mirror and say his name, but he comes and makes her life in danger.
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CRITICS OF "CandyMan"
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Georgia Straight
Resource

July 07, 2010

Sadly enough, with all the things Candyman has going for it, it turns out to be not much more enthralling than the last Freddy Kreuger slash-o-rama.
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Antagony & Ecstasy
Resource

March 20, 2015

The finest American horror film of the 1990s.
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Time Out
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June 24, 2006

One of the best sustained horror movies for some years.
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Film4
Resource

September 17, 2008

Candyman is atmospheric and visually stimulating enough to satisfy gore-hounds as well as being an intelligent social commentary.
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New York Times

May 20, 2003

The film's spooky atmosphere is accentuated by Anthony B. Richmond's cinematography and Philip Glass's score.
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Cinemaphile.org
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October 07, 2016

The goals of the picture never come into focus, usually because it is too busy bouncing between the methodical deviations of the villain and the silent absurdity of injustice.
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Variety
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September 17, 2008

Candyman is an uppper-register horror item that delivers the requisite shocks and gore but doesn't cheat or cop out.
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Reel Film Reviews
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October 31, 2014

...a handsome yet ineffective adaptation...
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Washington Post
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January 01, 2000

Madsen is a much better actress than is usually found in such a role. However, if you don't like splashes of blood or bees swarming out of bodies, you may want to think twice about this one.
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Ozus' World Movie Reviews
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October 13, 2012

The film bogs down into ordinariness after its fast start when the myth is literally acted out and all sense of movie magic gets washed down the toilet.
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Chicago Reader
Resource

September 17, 2008

Like so many post-Val Lewton horror films, this 1992 feature starts out promisingly while the plot is mainly a matter of suggestion, but gradually turns gross and obvious as the meanings become literal and unambiguous.
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Chicago Sun-Times
Resource

January 01, 2000

What I liked was a horror movie that was scaring me with ideas and gore, instead of simply with gore.
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