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Chariots of Fire

Description
A film is directed by Hugh Hudson and starring Ben Cross, Ian Charleson, Nicholas Farrell, follows two rivals (Britons Harold Abrahams and Eric Liddell). Harold & Eric are both naturally talented sprinters, however the approach running and how it fits into their believes differently - one a Jew and the other a Christian. They take part in 1924 Olympics.
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Chariots of Fire
CRITICS OF "Chariots of Fire"
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Christian Science Monitor
Resource

February 25, 2014

Vigorous but rather scattered.
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Times (UK)
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February 21, 2015

From the opening scene of pale young men racing barefoot along the beach, full of hope and elation, backed by Vangelis's now famous anthem, the film is utterly compelling.
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New York Daily News
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February 17, 2015

A movie that, with the help of Vangelis Papathanassiou's wonderfully stirring music, lifts the spirits to a new high.
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TIME Magazine
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August 01, 2008

Like every element in this picture, the actors look right; they seem to emerge from the past, instead of being pasted on to it, as so many characters in historical movies seem to be.
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London Evening Standard
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February 21, 2015

The film is not just about the race between Abrahams, the Jewish law student (Ben Cross), and Scottish missionary Eric Liddell (the late Ian Charleson). It's a character study and a social history too.
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Washington Post
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August 04, 2015

Despite its bombastic tendencies, Chariots has a healthy glow that's charming.
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CineVue
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February 21, 2015

The appeal will always be there for people to revisit Hudson's award-winner in a year of both the Queen's Diamond Jubilee and the Olympics, despite perhaps being remembered a little too fondly.
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Variety
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March 26, 2007

No imbalance mars the pic, whose cross-the-board achievement lifts it to an impressive level of unified accomplishment.
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Daily Star
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February 25, 2014

This 31-year-old Oscar winning true-life drama climaxing at the 1924 games proved a winner all the way. And it still is.
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Time Out
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February 21, 2015

Oddly, for a film about triumph over adversity, there's nothing as uplifting as the opening and closing jogs along a windswept beach.
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The Spectator
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August 04, 2015

It is an affirmation of clouded and second-hand values -- and, as a result, it becomes vulgar.
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