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Che: Part Two
Description
Seven years after his triumph in Cuba, Che winds up in Bolivia, where he tries to ignite the same revolutionary fires as before. When the Bolivian campaign would ultimately fail, the tenacity, sacrifice, and idealism displayed by Guevara during this period would make him a symbol of heroism to followers around the world.
Seven years after his triumph in Cuba, Che winds up in Bolivia, where he tries to ignite the same revolutionary fires as before. When the Bolivian campaign would ultimately fail, the tenacity, sacrifice, and idealism displayed by Guevara during this period would make him a symbol of heroism to followers around the world.
Actors:
Diego Salazar,
Eduardo Espinosa,
Gastón Pauls,
Luis Callejo,
Luis Muñoz,
Aarón Vega,
Lorenzo Ariel Muñoz
Diego Salazar
Eduardo Espinosa
Gastón Pauls
17 January 1972, Autonomous City of Buenos Aires, Argentina
Luis Callejo
1 August 1970, Segovia, Segovia, Castilla y León, Spain
Luis Muñoz
Aarón Vega
Lorenzo Ariel Muñoz
Country:
United States, France
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March 25, 2009
The film quickly turns into what can best be described as a lot of wandering around in the Bolivian jungle.
January 07, 2009
Twice as long as it needs to be, but it is also only half the movie it should have been.
March 14, 2011
As a standalone film this is far less enjoyable than the first, but there is enough in here to engage and entertain for the duration.
March 26, 2009
The film's narrative flow is less driven by events, which are revealed in spurts, but are drawn along as their inevitable consequences.
February 19, 2009
Saying that a film has too much insight is hardly damning.
Charlotte Observer
February 27, 2009
At this length, that's an unforgivable sin.
June 29, 2009
Certainly Soderbergh gives you a sense of the boredom of war - as the days tick by on the screen, you feel your own will to live begin to falter.
January 08, 2009
This isn't a biography -- it's a nature show where Guevara is the lion.
March 27, 2009
... a deeply interesting and commercially brave movie, one that recognizes the limits inherent in cinematic biography. It is meant to be experienced, not sounded for meanings, and is weakest when Soderbergh caves into his poetic impulses...