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Chicago (2002)

Description
Upon finding out that her husband and sister cheating her, Velma Kelly, a successful vaudeville star, murders them, the thing that leads her to prison, but she by the help of Roxie, a young vaudeville star, who kills her boyfriend, flees from prison, the thing that brings terrible for them.
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Chicago (2002)
CRITICS OF "Chicago (2002)"
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Sunday Times (UK)
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February 25, 2015

You know you have just witnessed a good musical when you leave the theatre or cinema with one, or more, of its songs still ringing in your head.... But after seeing Chicago, I did not whistle or tap my way home.
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Daily Telegraph (UK)
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February 25, 2015

Whatever one's qualms about the material, its execution here is rock solid in ways that keep on impressing, right through to the niftiest end credits sequence in years.
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Associated Press
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February 12, 2014

With performers as good as these and the freshness of Bill Condon's screenplay and Marshall's direction, there's really very little wrong with Chicago. What it lacks is something intangible -- heat.
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sbs.com.au
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February 25, 2015

Bawdy, funny and exhilarating, Chicago is great entertainment.
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Wall Street Journal
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February 12, 2014

Rob Marshall's screen version of the near-venerable show looks great, in its razzly-dazzly neo-Fosse way, and sounds good, especially when Renee Zellweger's gorgeous Roxie Hart is singing her heart out.
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Times (UK)
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February 25, 2015

What makes this more than a film of a great stage show is the way that the action spills seamlessly from the stage sets into real life. Magic.
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Minneapolis Star Tribune
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February 25, 2015

Chicago is sexy, sordid and sensational, the Windy City's biggest hit since the St. Valentine's Day Massacre.
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Independent (UK)
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February 25, 2015

As a reproduction of the stage show, Chicago isn't bad, but it makes no persuasive case for itself as a film.
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The New Republic
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February 24, 2013

The net effect of the incessant dazzle is depressing.
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Tulsa World
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February 25, 2015

Marshall and company have given the old genre a swift, vigorous kick in the pants. Chicago is one movie that won't let us down; it's our kind of town.
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AV Club
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February 12, 2014

As sentimental as a plywood casket, Chicago has satirical bite and a mean wit that somehow never obscures its characters' unlikely likability.
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New York Magazine/Vulture
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February 24, 2013

The song-and-dance numbers are calisthenic but unspectacular, with too much fast cutting, and the tone throughout is harmlessly facetious.
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