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Chinatown

Description
A private detective, Jake Gittes, hired to investigate an adultery case, stumbles on the plot of a murder involving incest and the privatization of water through state and municipal corruption, land use and real estate. If he doesn't drop the case at once he faces threats of legal action, but he pursues it anyway, slowly uncovering a vast conspiracy.
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Chinatown
CRITICS OF "Chinatown"
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Little White Lies
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January 03, 2013

See this film as many times as you can. Please.
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Movie Mezzanine
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February 04, 2014

Chinatown is deliciously, intolerably cruel as it toys with us.
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Chicago Reader
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March 27, 2009

Polanski's film suggests that the rules of the game are written in some strange, untranslatable language, and that everyone's an alien and, ultimately, a victim.
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Guardian
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January 03, 2013

Unmissable.
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Time Out
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February 09, 2006

The hard-boiled private eye coolly strolls a few steps ahead of the audience.
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Daily Telegraph (UK)
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May 18, 2016

As private investigator Jake Gittes, hired to dig up some dirt on Hollis Mulwray, chief engineer of Los Angeles's water department, Nicholson saunters round the city delivering one-liners with offhand brilliance.
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Chicago Tribune
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January 18, 2013

As much as I admire the work of both Polanski and Nicholson, I found Chinatown tedious from beginning to just before the end.
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Observer (UK)
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January 05, 2013

This film is flawless.
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Village Voice
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August 05, 2003

In 1974 a director, a screenwriter, and a producer (Robert Evans, who for once deserves a few of the plaudits he's apportioned himself) could decide to beat a genre senseless and then dump it in the wilds of Greek tragedy.
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London Evening Standard
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January 04, 2013

Polanski's telling of his tale of corruption in LA is masterly - thrilling, humorous and disturbing at the same time - and brilliantly played by John Huston and Faye Dunaway as well as Nicholson.
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Variety
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March 27, 2009

Roman Polanski's American made film, first since Rosemary's Baby shows him again in total command of talent and physical filmmaking elements.
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New York Times

May 20, 2003

A new private-eye melodrama that celebrates not only a time and a place (Los Angeles) but also a kind of criminality that to us jaded souls today appears to be nothing worse than an eccentric form of legitimate private enterprise.
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