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Contempt (Le mepris) [Sub: Eng]
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Contempt (Le mepris) [Sub: Eng]

Description
Camille is a beautiful woman whose husband, Paul works as a screenwriter. But things goes wrong when Paul meets a rich American producer who asked him to rewrite an old screenplay
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DIRECTORS OF "Contempt (Le mepris) [Sub: Eng]"
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Contempt (Le mepris) [Sub: Eng]
CRITICS OF "Contempt (Le mepris) [Sub: Eng]"
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Daily Express (UK)
Resource

January 03, 2016

If you want to know the cinema of Godard, then this is a great place to start.
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Total Film
Resource

December 05, 2016

Few films have achieved such elegance.
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New York Times

May 20, 2003

Godard sets interesting scenes, with provocative color combinations and a suggestive pictorial flow. But out of it all comes nothing -- or very little that tells you why this wife is so contemptuous of her husband. Maybe he should be contemptuous of her!
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Observer (UK)
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January 03, 2016

Steeped in melancholy and a sense of mourning.
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Los Angeles Times
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February 13, 2001

Inevitably a melancholy film, but a memorable one as well.
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Daily Telegraph (UK)
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November 29, 2017

The film is about nothing but cinema itself, which gets a bit wearing, unless you are one of those people who like watching a movie in order to check off the references to other movies. Still, it's a masterwork of some sort.
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Village Voice
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September 03, 2013

Possibly Godard's most melancholy film and probably his most beautiful ...
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CineVue
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January 14, 2016

Godard was the artist who tore cinema apart and rebuilt it to suit his own interests and ends.
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Chicago Sun-Times
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January 01, 2000

Contempt was Jean-Luc Godard's 1963 attempt at a big-budget, big- star production, and more or less satisfied his curiosity.
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The List
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January 04, 2016

If Le Mépris lacks the uninhibited character of, say, Breathless, Pierrot le Fou, or Alphaville it undoubtedly makes up for it in emotional potency.
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Boston Globe
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April 11, 2008

What's the price of selling out? Contempt asks the question of its characters, its audience, and its own director.
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Salon.com
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January 01, 2000

It emerges as one of Godard's most emotional films.
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