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Cry Baby
Description
Set in 1950s Baltimore, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get 'square' good-girl Allison back from a bad-boy with a heart of gold.
Set in 1950s Baltimore, this movie follows the adventures of Cry-Baby who, though he is sent to juvie, is determined to cross class (and taste) boundaries to get 'square' good-girl Allison back from a bad-boy with a heart of gold.
Actors:
Steve Aronson,
Joey Heatherton,
Willem Dafoe,
David Nelson,
Robert Marbury,
Angie Levroney,
Joe Dallesandro
Steve Aronson
Joey Heatherton
14 September 1944, Rockville Centre, Long Island, New York, USA
Willem Dafoe
22 July 1955, Appleton, Wisconsin, USA
David Nelson
24 October 1936, New York City, New York, USA
Robert Marbury
Angie Levroney
Joe Dallesandro
31 December 1948, Pensacola, Florida, USA
Country:
United States
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January 21, 2015
John Waters progressed from the truly disgusting ("Pink Flamingoes") to the truly funny ("Hair Spray") only to now hit the mainstream wall.
January 21, 2015
It has a great score of obscure '50s rock and doo-wop. It has the candy-colored look of a '50s musical. What it doesn't have is a moment of anything that seems remotely real.
January 21, 2015
If Cry-Baby has a message, it's that Cry-Baby and Allison deserve each other because they're young and they're beautiful, which certainly runs counter to Waters' affection for the grotesque, the bad and the ugly.
January 21, 2015
Cry-Baby takes digs at Jailhouse Rock in a musical number that Elvis would have loved to do.
January 21, 2015
The wizard of odd still runs amok.
January 21, 2015
The nostalgic delights in Waters's reform school drool are often more subtle than his other period offering, Hairspray, but it's still a polished debunking of pop culture from the "Pope of Trash".
January 21, 2015
For a while the actors seem intimidated by the '50s references, but the film eventually develops a musical energy that carries the day.
January 21, 2015
Waters's writing is woefully uneven. It's as if Sam Kinison had decided to tell knock-knock jokes -- sterile, unfunny knock-knock jokes at that.
January 21, 2015
It all adds up to zany, wide-eyed, quintessential Waters havoc -- the "kinder, gentler" 1990s brand, perhaps. But the genuine article, nonetheless.
January 21, 2015
As Waters moves to a more conventional type of satire, he is losing some of the edge that gave his earlier films their crass appeal.
January 21, 2015
Cry-Baby is often sweet-spirited even when its crummy, but there's also something fetid in its foolery.
January 21, 2015
I don't quite know how Waters did it (and I have absolutely no idea why he did it), but the fact that Cry-Baby is fun suggests that the filmmaker possesses an instinctive understanding of what made those Elvis pictures so successful in the first place.