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Extremely Loud & Incredibly Close
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Extremely Loud & Incredibly Close

Description
A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
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DIRECTORS OF "Extremely Loud & Incredibly Close"
Extremely Loud & Incredibly Close
CRITICS OF "Extremely Loud & Incredibly Close"
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Trespass
Resource

September 08, 2013

This movie is exquisitely made, as Daldry provides a typically classy craft effort.
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AwardsCircuit.com
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September 14, 2014

Horn dives into one of the most complex character's I've seen created for a child and shakes loose.
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indieWire
Resource

January 20, 2012

...the cure for Oskar's severe case of shell-shock, in Eric Roth's adaptation of the novel by Jonathan Safran Foer, seems artificial and contrived to me.
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Film Comment Magazine
Resource

June 28, 2013

Daldry delivers a surprisingly engaging adaptation of Jonathan Safran Foer's stridently voiced novel about a precocious boy dealing with the death of his father in the terror attacks.
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Detroit News
Resource

January 20, 2012

"Extremely Loud and Incredibly Close" is the kind of movie you want to punch in the nose.
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The Improper Bostonian
Resource

May 12, 2015

Ghastly.
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TheWrap
Resource

March 02, 2012

In the end, the movie is about healing and coming to understand that some things can't be explained.
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Film School Rejects
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August 11, 2014

Dull and lifeless.
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Denver Post

January 20, 2012

If imagining a city where people open their doors (or don't) to a boy with a key and a ton of questions is sentimental ... then it is vitally, beautifully so.
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FoxNews.com
Resource

September 25, 2013

Eric Roth's nimble screenplay and composer Alexandre Desplat's delicate score also help solidify "Extremely Loud and Incredibly Close" as one of the best movies movies of 2011
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Time Out
Resource

February 14, 2012

Less a film about communication, in the end, than one with its fingers in its ears.
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Washington Post
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January 20, 2012

Stephen Daldry's extremely labored and incredibly crass adaptation of Jonathan Safran Foer's novel.
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