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F for Fake
CRITICS OF "F for Fake"
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Simon Foster
Resource

October 11, 2015

A buoyant, delightfully playful Orson Welles exposes the artifice of film in his 1975 head scratcher, F For Fake.
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Wendy Ide
Resource

October 11, 2015

The last film to be completed by Orson Welles is also probably his most challenging. A tricksy combination of documentary, discourse and sleight of hand, F for Fake is as elusive as it is playful.
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Tom Huddleston
Resource

October 11, 2015

For all its nods, winks and witty asides, it's a richly personal work, picking over the questions every creative artist must eventually ask: Am I 'for real'? Does it matter? And what is all this work worth, anyway?
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Amber Wilkinson
Resource

October 11, 2015

Like every good magic show, there's much more here than first meets the eye.
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Richard Brody
Resource

October 11, 2015

F for Fake is as grand, multitudinous, and original as Welles himself.
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Clancy Sigel
Resource

October 11, 2015

I enjoyed every dubious minute of this bit of hanky-panky.
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Roger Ebert
Resource

October 11, 2015

F For Fake is minor Welles, the master idly tuning his instrument while the concert seems never to start again. But it's engaging and fun, and it's astonishing how easily Welles spins a movie out of next to nothing.
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Kevin Harley
Resource

October 11, 2015

A mischievous mash of mock-doc, magic show, lecture and comedy.
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Kevin Thomas
Resource

October 11, 2015

Welles stretches his material and his legend just about as thin as possible in this tedious treatise on truth and illusion.
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Emma Simmonds
Resource

October 11, 2015

If Citizen Kane is testament to a young man's genius then F For Fake is testament to a veteran's rebellious spirit and wicked sense of humour.
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Gary Arnold
Resource

October 11, 2015

The result is a curious, unsatisfactory pastiche of documentary tidbits acquired from Reichenbach and speculative filler supplied by Welles himself.
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Variety Staff
Resource

March 26, 2009

An intriguing, enjoyable look at illusion in general and his own, Clifford Irving's and De Houry's dealing with it in particular.
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