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Factory Girl
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Factory Girl

Description
In the mid-1960s, wealthy debutant Edie Sedgwick (Sienna Miller) meets artist Andy Warhol (Guy Pearce) who promises to make her the star she always wanted to be... And like a super nova she explodes on the New York scene only to find herself slowly lose grip on reality...
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Factory Girl
CRITICS OF "Factory Girl"
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Urban Cinefile
Resource

August 11, 2007

As a bio-pic, Factory Girl is limited, but as a snapshot of Sedgwick and Warhol's fiery relationship, there is much to fascinate us.
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House Next Door
Resource

November 06, 2008

In Factory Girl, a jumbled account of the short life and photogenic hard times of the first Andy Warhol superstar, Edie Sedgwick, Sienna Miller makes Sedgwick into an archetypal over-confident blond with a mannered young Kathleen Turner croak.
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Orlando Sentinel

February 16, 2007

It's a movie without that emotional spark that lets us connect with her, or anybody else.
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Houston Chronicle
Resource

February 16, 2007

When Sedgwick's whirl of liberation turns into addiction, clichés stall the plot.
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Ozus' World Movie Reviews
Resource

May 08, 2017

Never gets past the superficial.
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Time Out
Resource

March 14, 2007

One wonders whether the documentary format would have better served the material than this ill-focused drama. Since real-life family and observers chime in over the end credits, perhaps the filmmakers were thinking the same thing.
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CinemaBlend.com
Resource

May 02, 2008

Summing up a complex human being in two hours is like an MTV spot about Nelson Mandela cut to a Kanye West track. We don't really get to know Sedgwick at all.
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Detroit Free Press

February 16, 2007

Sedgwick's death seems as predestined as a Hollywood melodrama.
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Common Sense Media
Resource

October 22, 2007

True story of drugs and sex is for adults only.
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Ebert & Roeper

February 20, 2007

I think Sienna Miller does a really nice job of capturing Edie Sedgwick, who really was the fore-runner to Paris Hilton and a lot of other people who are just famous for being famous.
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Denver Rocky Mountain News

February 16, 2007

You feel as if either you or the filmmakers have missed the point, if there ever actually was one.
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