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Fahrenheit 11/9

Description
Filmmaker Michael Moore predicted that Donald Trump would become the 45th president of the United States. Traveling across the country, Moore interviews American citizens to get a sense of the social, economic and political impact of Trump's victory. Moore also takes an in-depth look at the media, the Electoral College, the government agenda and his hometown of Flint, Mich.
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Fahrenheit 11/9
CRITICS OF "Fahrenheit 11/9"
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Gwinnett Daily Post (GA)
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October 19, 2018

It has become cliche to call Trumpism a new brand of fascism. Still, Fahrenheit 11/9 is a potentially instructive piece of filmmaking... And because he's good at his craft, Moore's argument is persuasive.
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Sunday Times (UK)
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October 22, 2018

It's splashy and sort of entertaining. You couldn't wish for a better compilation of footage showing Trump at his most obnoxious.
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Observer
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September 24, 2018

It might not be Michael Moore's most cogent film, but Fahrenheit 11/9 is the inspired work of a true American purist, a cautionary warning about how to end a dictatorship and return America to the dream of patriotism.
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The Sun (UK)
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October 19, 2018

This is an important film for future voters worldwide. Just hope they watch.
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New Yorker
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September 24, 2018

The film will neither change minds nor soothe embittered hearts, I fear, and an opportunity has been missed.
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Kermode & Mayo's Film Review
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October 22, 2018

Whether or not you agree with the politics behind it, I think he argues it in a way that is engaging.
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L.A. Weekly
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September 24, 2018

The genius of Moore's first film was its entry point: Moore began with an up-close look at his hometown of Flint, Michigan, and then expanded out to make Flint a microcosm for a broken nation. This one gets that backward, to its detriment.
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The Mail on Sunday (UK)
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October 22, 2018

So more balanced than normal but, once Adolf Hitler hoves into view, as provocative as ever.
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ReelViews
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September 22, 2018

While there are a few moments in the movie that can be said to be Moore at his best, the production as a whole may be Moore at his worst.
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Observer (UK)
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October 20, 2018

Moore makes an alarmingly persuasive case that democracy itself is under threat.
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Wall Street Journal
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September 24, 2018

The punditry is trite. The snark is boring.
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San Francisco Chronicle
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September 21, 2018

Less partisan viewers may find the film quite long, and not a lot more than a rehash of Moore's political obsessions. If you know his earlier work, you'll find no surprises here.
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