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Hannah (2017)
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Hannah (2017)

Description
Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband's imprisonment.
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Hannah (2017)
CRITICS OF "Hannah (2017)"
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Women's Voices for Change
Resource

March 27, 2018

Charlotte Rampling, still striking at 72, brings drama to Hannah's lonely days and transforms an achingly average woman into a tragic figure.
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El Mundo (Spain)
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May 18, 2018

Few actresses are capable of externalizing the internal like [Charlotte Rampling]. [Full Review in Spanish]
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Rolling Stone
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March 10, 2018

In a film that otherwise operates in a forbidding chill, it's only Rampling's magnificent performance that holds us in expectant suspension.
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Film Threat
Resource

March 12, 2018

By making her quiet corner of the screen more captivating than the portions where people are yelling or screaming, it's easy to see how Rampling won Best Actress at the Venice Film Festival.
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Los Angeles Times
Resource

March 08, 2018

Gorgeously and at times frustratingly austere, "Hannah" has a simple, compelling premise. But more than that, it has the unparalleled Charlotte Rampling.
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El Pais (Spain)
Resource

May 18, 2018

Pallaoro's Hannah is a another strong showing in the genre of Charlotte Ramping. [Full Review in Spanish]
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Washington Post
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March 20, 2018

Those who think that the word "marvel" applies only to superheroes should steer clear of "Hannah." But Rampling is a true marvel here, in every other sense of the word.
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El antepenúltimo mohicano
Resource

May 16, 2018

Hannah is an intimate portrait of a woman's pain and loneliness... [Full review in Spanish]
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New York Times
Resource

March 08, 2018

Rampling's pale, stricken countenance sets the tone of "Hannah" and dominates virtually every moment thereafter. By the end, we feel so wrung out it takes a second or two to realize that very little has happened.
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Cinemanía (Spain)
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May 14, 2018

The more you try to lead a normal life, the more the environment seems to conspire to exclude it. [Director] Andrea Pallaoro contemplates this process with distant and parsimonious patience... [Full review in Spanish]
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New York Observer
Resource

March 16, 2018

[Rampling is] so mesmerizing you can't take your eyes off her. This is good, because there's nothing else to watch or care about in the entire film anyway.
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RogerEbert.com
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February 23, 2018

There is a real seed of dramatic possibility in Hannah, but Pallaoro smothers it beneath the lacquer of the film's fastidiously mannered minimalism.
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