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Hearts in Atlantis
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Hearts in Atlantis

Description
The film tells the story of a mysterious man (Anthony Hopkins) who enlists the aid of a brilliant young boy (Anton Yelchin) to save his life. The two share a summer's adventures and come to love one another before the inevitable happens.
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DIRECTORS OF "Hearts in Atlantis"
Hearts in Atlantis
CRITICS OF "Hearts in Atlantis"
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Looking Closer

December 06, 2004

If good cinematographers are 'panning for gold' with their camera lens, Sobocinski has put his pan in the river and come back with a fortune.
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eFilmCritic.com
Resource

September 17, 2007

A movie that says we might as well pack it in as soon as we turn 18 is more bitter than bittersweet.
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Washington Post

September 28, 2001

Hicks's film is magical, but its magic comes not from the inexplicable phenomena we most commonly associate with King, but from the charms of childhood.
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Bangitout.com
Resource

July 16, 2004

Hearts in Atlantis is a leap of faith with nothing on the other side.
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Washington Post

September 28, 2001

A precious respite from the postmodern era and all that it entails.
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Common Sense Media

December 24, 2010

Above average coming of age story.
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Rolling Stone

October 03, 2001

Hicks ... coats the film in a bogus idyllic mist that substitutes cheap sentiment for blunt truth.
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EmanuelLevy.Com
Resource

December 04, 2006

What happened to the prodigious vitality of Scott Hicks (Shine): His third feature sugffers from the same stifling artistic treatment that his second did, and this one is based on stories by Stephen King!
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Seattle Times

September 28, 2001

Much of Hearts feels a little empty, a little unmotivated.
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Arkansas Democrat-Gazette

January 27, 2005

Hicks' film is a beautiful trifle, a neat trick of light and sound to coax empathy
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Village Voice

October 02, 2001

The unblinking sympathy for kids struggling with evil and with the strange frequencies of prepubescent passion can, if your defenses are down, lay you out.
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San Francisco Chronicle
Resource

September 28, 2001

Unabashedly sentimental, it's meant to touch our hearts in profound and important ways, but misses the mark by drawing too deeply from a pool of schmaltz.
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