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House Of 1000 Corpses
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House Of 1000 Corpses

Description
Searching for the legend of Dr. Satan, two couples, who in order to make a book to attract terrorist, go on a journey on the roadside, the thing that brings terrible for them, as their car has burnt, leaving them stranded in the road to be the prey of cannibalism, who host them in their house to kill them.
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House Of 1000 Corpses
CRITICS OF "House Of 1000 Corpses"
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eFilmCritic.com
Resource

September 24, 2007

I can applaud House of 1000 Corpses on at least one level: The movie has absolutely no interest whatsoever in sanitized horror.
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Slant Magazine
Resource

April 28, 2014

Rob Zombie's House of 1000 Corpses has nostalgia on its side but not much else.
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Globe and Mail
Resource

April 18, 2003

In this field of endeavour, any intense reaction is unsustainable, for the obvious reason that the guiding principle of repetition comes with an inevitable corollary and unavoidable side-effect -- sheer boredom.
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Panorama
Resource

July 03, 2007

Le réalisateur cite abondamment, mais ne parvient jamais à donner un sens à ses élans qui finissent par s'éparpiller dans un fourre-tout incohérent et anormalement tapageur
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Entertainment Weekly
Resource

April 16, 2003

House of 1000 Corpses isn't coherent, exactly, but what dripping-ghoul horror movie is these days?
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Cinemaphile.org
Resource

October 30, 2014

Rob Zombie's House of 1000 Corpses is a movie by a man without any sense of modulation.
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L.A. Weekly

April 25, 2003

Zombie wants his film to be gleefully demented, but he fails to grasp that loud, inbred evil people torturing stupid, grating benign people isn't disturbing as much as tedious.
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Georgia Straight
Resource

February 09, 2014

This in-your-face homage to The Texas Chainsaw Massacre is the most unrelentingly sadistic flick to come out of Hollywood in quite some time.
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Variety
Resource

April 15, 2003

A cobwebbed, mummified horror entry that makes obvious, cartoonishly grotesque demands for attention.
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Cinema Crazed
Resource

April 29, 2009

Cheesy, vapid, contrived, and shallow...
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Toronto Star
Resource

April 18, 2003

Possibly the greatest waste of celluloid since Jerry Lewis was first allowed to stand before a camera.
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Village Voice
Resource

April 15, 2003

Wit follows coherence out the window.
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