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I Think We're Alone Now
Description
The chaos has spread across the world, it's the apocalypse and all the humans are wiped out. Del has managed to rescue from this catastrophe, he thinks that he is the last survivor. But he changes his mind when he meets Grace, another survivor with mysterious behaviors. They accompanying each other through a dramatic and exciting adventure.
The chaos has spread across the world, it's the apocalypse and all the humans are wiped out. Del has managed to rescue from this catastrophe, he thinks that he is the last survivor. But he changes his mind when he meets Grace, another survivor with mysterious behaviors. They accompanying each other through a dramatic and exciting adventure.
Actors:
Charlotte Gainsbourg,
Paul Giamatti,
Peter Dinklage,
Elle Fanning
Charlotte Gainsbourg
21 July 1971, London, England, UK
Paul Giamatti
6 June 1967, New Haven, Connecticut, USA
Peter Dinklage
11 June 1969, Morristown, New Jersey, USA
Elle Fanning
9 April 1998, Conyers, Georgia, USA
Director:
Reed Morano
Country:
United States
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August 13, 2018
[Peter] Dinklage's magnetism in these opening moments pave the way for what becomes a beautifully cathartic meditation on the nature of loneliness.
September 20, 2018
I Think We're Alone Now is still three-quarters of a good movie, and worth the view if one adjusts one's expectations down a few notches.
September 13, 2018
A post-apocalyptic tale with a late plot twist that feels as if it comes out of left field. And right field. And center field, the stands and the dugout, too.
August 13, 2018
Quiet, reflective, and intimate, I Think We're Alone Now is an exceptional exhibition for Dinklage and Fanning and a further illustration of the dynamic talent of filmmaker Reed Morano.
September 12, 2018
There's nothing here about the necessary rudeness of companionship that wasn't more entertainingly addressed in the first episodes of the comedy series "The Last Man On Earth."
September 20, 2018
Strong language, drinking in post-apocalyptic drama.
September 14, 2018
Peter Dinklage and Elle Fanning bravely face the end of the world, but they can't overcome a barrage of clichés in a plot that ties up loose ends without a single surprise or a scintilla of genuine emotion.
September 20, 2018
There's a claustrophobic comfort to it... Yet there is space for silence and reflection, and many shots are quietly beautiful - until a Rush song blares, puncturing the meditative mood.
September 10, 2018
Morano's film wants to examine the emotional consequences of immersing oneself in trauma, but Makowsky's script merely paws at the edges of the idea rather than diving into the knottiness of it.
September 14, 2018
Descends into illogic and inscrutability.
September 14, 2018
A story that grows frustratingly conventional.
August 13, 2018
I felt cheated by a film that should be about relatable issues like loneliness and difficult connections between different personality types but never lets viewers into its world in a way that feels organic or enjoyable.