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Jaws 4: The Revenge
Description
Ellen Brody still lives in the island resort town of Amity, and her sons Sean and Michael don't work at Sea World anymore, and some time ago, Ellen's husband Martin Brody died of a heart attack that happened because he was afraid of sharks. Sean is now a deputy in Amity. One night, during the Christmas season, Sean is called to untangle a log from a buoy, and when Sean goes to the buoy, he's killed by a great white shark. After hearing about this, Michael, who is studying to be a marine biologist, visits Amity with his wife Carla and his 5-year-old daughter Thea. Wanting to get away from Amity and spend Christmas with Michael, Carla, and Thea, Ellen goes with them to their house in the Bahamas on an airplane whose pilot is Hoagie Newcombe, and Hoagie starts falling for Ellen. Michael's friend Jake, who is also studying to be a marine biologist, lives next door to Michael. Sometime later, while Michael and Jake are out at sea, their boat is attacked by the shark that killed Sean. ...
Ellen Brody still lives in the island resort town of Amity, and her sons Sean and Michael don't work at Sea World anymore, and some time ago, Ellen's husband Martin Brody died of a heart attack that happened because he was afraid of sharks. Sean is now a deputy in Amity. One night, during the Christmas season, Sean is called to untangle a log from a buoy, and when Sean goes to the buoy, he's killed by a great white shark. After hearing about this, Michael, who is studying to be a marine biologist, visits Amity with his wife Carla and his 5-year-old daughter Thea. Wanting to get away from Amity and spend Christmas with Michael, Carla, and Thea, Ellen goes with them to their house in the Bahamas on an airplane whose pilot is Hoagie Newcombe, and Hoagie starts falling for Ellen. Michael's friend Jake, who is also studying to be a marine biologist, lives next door to Michael. Sometime later, while Michael and Jake are out at sea, their boat is attacked by the shark that killed Sean. ...
Actors:
Jan Rabson,
Cyprian R. Dube,
Diane Hetfield,
Lee Fierro,
Dominic Hoffman,
David Wilson,
Fritzi Jane Courtney
Jan Rabson
14 June 1954, East Meadow, Long Island, New York, USA
Cyprian R. Dube
15 January 1909, Massachusetts, USA
Diane Hetfield
Lee Fierro
13 February 1929, USA
Dominic Hoffman
David Wilson
Fritzi Jane Courtney
15 February 1923, Harlem, New York, USA
Genre:
Horror
Country:
United States
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August 19, 2013
Beyond the ridiculous premise, there's nowhere for this story to go, and we don't get enough shark action to make up for it.
April 30, 2014
The fact that you have to suspend your intelligence to even get through 'Jaws - The Revenge doesn't help matters. Is a shark smart enough to follow a person from New York to the Bahamas?
April 30, 2014
Everything in Jaws the Revenge is utterly expectable, which isn't a bright idea for a film relying on suspense and tension.
January 14, 2012
Savagely dull, though at least it is tremendously incompetent as well, and thus marginally amusing, especially when the shark is actually onscreen.
April 30, 2014
Let`s put it this way: When you see and hear the nasal Lorraine Gary on screen you want the shark to eat her.
September 13, 2016
Boring and unnecessary sequel, some shark attacks.
April 30, 2014
Jaws is looking a bit long in the tooth these days.
April 30, 2014
Jaws the Revenge, the fourth in a series of monster shark epics, is dead in the water.
April 30, 2014
A lot of the time, the people in this picture just stand around looking very sad, as if remembering happier days. Watching this sorry film, you know how they must feel.
April 30, 2014
This is the one where the big rubber shark gets to attack an aircraft, but that's far from being the only silly thing about this preposterous fourth entry in the series.
April 30, 2014
Dumb beyond belief, hollow, bloody and nonsensical, it's Universal Studios' vanity movie, a way of providing employment yet again for its Great White icon.
April 30, 2014
Sargent's enough of an action vet to grind out a watchable sequel, but too much of a TV hack to turn the arbitrary dramatics into anything but synthetic pulp.