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Jaws: The Revenge
CRITICS OF "Jaws: The Revenge"
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Radio Times
Resource

April 30, 2014

This is the one where the big rubber shark gets to attack an aircraft, but that's far from being the only silly thing about this preposterous fourth entry in the series.
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Common Sense Media
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September 13, 2016

Boring and unnecessary sequel, some shark attacks.
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Philadelphia Inquirer
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April 30, 2014

Everything in Jaws the Revenge is utterly expectable, which isn't a bright idea for a film relying on suspense and tension.
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Eye for Film
Resource

August 19, 2013

Beyond the ridiculous premise, there's nowhere for this story to go, and we don't get enough shark action to make up for it.
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Chicago Tribune
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April 30, 2014

Let`s put it this way: When you see and hear the nasal Lorraine Gary on screen you want the shark to eat her.
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Flavorwire
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August 05, 2017

'Jaws: The Revenge' bears the marks of its rushed production, from the seemingly first-draft screenplay to its sloppy execution to the slender running time (under 90 minutes without credits) to the generally cheap look and feel.
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Chicago Tribune
Resource

April 30, 2014

Jaws is looking a bit long in the tooth these days.
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Philadelphia Daily News
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April 30, 2014

The fact that you have to suspend your intelligence to even get through 'Jaws - The Revenge doesn't help matters. Is a shark smart enough to follow a person from New York to the Bahamas?
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Orlando Sentinel
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April 30, 2014

A lot of the time, the people in this picture just stand around looking very sad, as if remembering happier days. Watching this sorry film, you know how they must feel.
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South Florida Sun-Sentinel
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April 30, 2014

Jaws the Revenge, the fourth in a series of monster shark epics, is dead in the water.
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Los Angeles Times
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April 30, 2014

Dumb beyond belief, hollow, bloody and nonsensical, it's Universal Studios' vanity movie, a way of providing employment yet again for its Great White icon.
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Chicago Reader
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April 30, 2014

Sargent's enough of an action vet to grind out a watchable sequel, but too much of a TV hack to turn the arbitrary dramatics into anything but synthetic pulp.
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