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Laura
CRITICS OF "Laura"
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EmanuelLevy.Com
Resource

April 25, 2012

Masterpiece: with time, Preminger's second film has become richer in texture and deeper, more ambiguous in meaning than most noirs of the 1940s.
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Seanax.com
Resource

February 12, 2016

Laura (1944) is elegance incarnate in a genre known for its hard edge, the sleekest, silkiest noir of all.
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Time Out
Resource

December 20, 2011

Few movies make you feel dirtier, and so perversely grateful for the pleasure.
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Observer (UK)
Resource

February 25, 2012

Preminger made darker, more characteristically noir films than this, but his only movie that's as good, or perhaps better, is Anatomy of a Murder.
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TIME Magazine
Resource

April 20, 2009

A highly polished and debonair whodunit.
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Antagony & Ecstasy
Resource

December 17, 2016

It's one of the smartest of all noirs, and thus among the most enticingly savage and dangerous.
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Guardian
Resource

February 23, 2012

Laura is still every bit as gripping in 2012.
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CinePassion
Resource

July 15, 2013

A feverish trance wrapped in a deadpan investigation
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Chicago Reader
Resource

October 23, 2007

Less a crime film than a study in levels of obsession, Laura is one of those classic works that leave their subject matter behind and live on the strength of their seductive style.
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Senses of Cinema
Resource

March 21, 2013

Preminger deals in facades, with how perception cheats us, right down to the ideal image of Laura as a portrait. (Cinémathèque Annotations on Film)
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Little White Lies
Resource

February 23, 2012

Not only one of Preminger's greatest, but one of the great noirs.
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Village Voice

October 23, 2007

A hypnotic and deathlessly interpretable experience.
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