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Léon: The Professional
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Léon: The Professional

Description
The movie concerns Mathilda, a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age. One day, when Mathilda comes home to find her family has been killed by a drug dealer, she runs to a hitman to ask for help. She then becomes his protégée and learns the assassin's trade to take revenge.
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Léon: The Professional
CRITICS OF "Léon: The Professional"
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South Florida Sun-Sentinel
Resource

June 04, 2014

The Professional is intriguing, but misses the mark as a potential cult favorite.
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Creative Loafing
Resource

November 14, 2015

A favorite of IMDb fanboys and reportedly of pedophiles as well, Leon: The Professional is noteworthy as marking French helmer Luc Besson's first American production as well as showcasing the film debut of a then-13-year-old Natalie Portman.
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Chicago Tribune
Resource

June 04, 2014

The sheer craziness and excessiveness of the movie -- no crazier, perhaps, than many of the American action movies it copies -- never finds a center of gravity.
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Radio Times
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June 04, 2014

Funny, tragic, brilliant and unmissable.
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Orlando Sentinel
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June 04, 2014

The Professional is strictly amateur-hour.
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The Blu Spot
Resource

November 17, 2015

Leon: The Professional is a wonderful character study, enriched by outstanding performances, thrilling action, and a well-rounded script that gives the film an intriguing amount of depth.
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Rolling Stone

June 04, 2014

Leave it to french writer-director Luc Besson (La Femme Nikita) to put a kinky twist on Orphan Annie and Daddy Warbucks.
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Suite101.com
Resource

October 24, 2014

Luc Besson's original cut feels more like a journey than just a joy-buzzer jolt of action, and the deeper, braver, darker story he set out to tell - a fractured and fractious fairy tale. When people rave about "The Professional," they mean "Léon."
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Seattle Times
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June 04, 2014

Like Quentin Tarantino, Besson has a singular style and directorial sensibility that keeps you watching.
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sbs.com.au
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June 04, 2014

No matter what uncomfortable undercurrents the film gives rise to, Besson's skill with action is inventive and creative (and of course over the top).
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Philadelphia Inquirer
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June 04, 2014

Ultimately, like La Femme Nikita, there may be less here than meets the eye. But what does meet the eye is pretty darn thrilling.
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New Yorker
Resource

June 04, 2014

The most objectionable thing is Gary Oldman's performance, baroque in its awfulness. Almost as bad is the director's attempt to construct a visual style -- and, for that matter, characters -- by piling one mannerism on top of another.
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