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London Boulevard
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London Boulevard

Description
Harry Mitchel is an ex-con who want to make a fresh start. He helps an famous actress and becomes her guard, protecting her from paparazzi. He finds himself in trouble when a vicious gangster forces him back to crime and work for him. How can he avoid the gang and find a way to love?
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London Boulevard
CRITICS OF "London Boulevard"
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MovieFreak.com
Resource

January 27, 2012

London Boulevard is a mess, a fascinating, exhilarating, infuriating, emotional, tragic and euphoric mess, but still a mess all the same.
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Urban Cinefile
Resource

July 16, 2012

As gangster thrillers go, this one is a ripper. William Monahan, Oscar-winning screenwriter for The Departed (2006) has adapted Ken Bruen's book in great style and directs his top cast adroitly
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Los Angeles Times
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November 11, 2011

In trying to take a bite out of crime and another out of fame, [Monahan has] ended up with more than he can chew for his first time in the director's chair.
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OK! Magazine
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December 03, 2011

Colin Farrell and Keira Knightley make a dynamite pairing.
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New York Post
Resource

November 11, 2011

Monahan's trademark tart dialogue is as strong as ever, and Farrell and Winstone make for a formidable pair of opponents.
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The Film Stage
Resource

April 05, 2015

Monahan's debut feels like it's missing some connective tissue, but it still manages to standout from the herd.
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Seattle Times
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November 22, 2011

A stylish if familiar tale of a man hopelessly entangled in his past.
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Scene-Stealers.com
Resource

March 09, 2012

There are all kinds of weirdo supporting players and the requisite amount of bloody killing scenes, but it doesn't add up to much and London Boulevard just feels like its trying to hard to be edgy.
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New York Times

November 10, 2011

There is too much to be absorbed in too little time and not enough tissue connecting abbreviated, sometimes unnecessary subplots.
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Common Sense Media
Resource

January 30, 2012

This crime story smacks of all-too-familiar elements and is told with a blandly straightforward approach.
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Newark Star-Ledger
Resource

November 11, 2011

A movie is more than dialogue and a soundtrack. And direction is a lot more than making sure all your favorite parts of your own script make it to the screen intact.
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New York Daily News
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November 10, 2011

Had the film stood still more often, its stylish gambit would have worked better.
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