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Love After Love
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Love After Love

Description
A sixty-something mother and her two adult sons cope and move onward following the death of their larger-than-life father/husband.
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HEROES OF "Love After Love"
Love After Love
CRITICS OF "Love After Love"
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MovieFreak.com
Resource

April 02, 2018

Yet this movie, for all its laudable aspects, left me wanting for more, a personally frustrating turn of events to say the least.
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Cinemalogue
Resource

April 27, 2018

The film is a bit messy at times, but considering the circumstances on screen, that seems appropriate.
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Los Angeles Times
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April 05, 2018

Challenging, unflinching and deeply honest.
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Solzy at the Movies
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April 02, 2018

Andie MacDowell [displays] one of the best performances of her career.
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ReelViews
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March 30, 2018

First-time director Russell Harbaugh presents grief as it is, in all its pain and ugliness, rather than using the convenient, uplifting short-hand that Hollywood prefers.
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Denerstein Unleashed
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April 27, 2018

I wish the pieces of Harbaugh's domestic jigsaw fit more elegantly together. Sometimes, it seems as if he's tripping into scenes the way a person might stumble into a darkened room before turning on the light.
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Arizona Republic
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April 19, 2018

It's a film intentionally adrift, rambling between a loose succession of family gatherings and dinner parties with subdued style, the camera feeling like just another person at the edge of the room.
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Mark Reviews Movies
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April 26, 2018

The story of Love After Love is one of grieving, and it's about that process in a specific, particularly sad sort of way.
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New York Magazine/Vulture
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March 30, 2018

I found it a great masochistic experience.
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The Public (Buffalo)
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April 25, 2018

Maybe the most damaging factor is that [director Russ] Harbaugh does nothing to establish that the paterfamilias, first seen in reasonably good health at a family gathering, is such an emotional touchstone to his wife and sons.
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Washington Post
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April 17, 2018

An unflinching portrait of how grief can unravel a tightknit family in ways both banal and heart-wrenching.
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RogerEbert.com
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March 30, 2018

This first-time feature from writer/director Russell Harbaugh has an understated, intimate, pointillist style, with a cool jazz score that matches its improvisational tone.
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