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Marina Abramovic: The Artist Is Present

Description
This documentary helps the audience understand increasingly about Marina Abramović whose passion for art for nearly forty years. She passes through many challenges when she uses her own body to create performances
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DIRECTORS OF "Marina Abramovic: The Artist Is Present"
Marina Abramovic: The Artist Is Present
CRITICS OF "Marina Abramovic: The Artist Is Present"
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Quickflix
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July 09, 2012

If you have been looking for the natural meeting place of Jafar Panahi's document of life under house arrest This is Not a Film and Justin Bieber's popumentary Never Say Never, look no further.
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Reeling Reviews
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August 29, 2012

Like any good documentary, ""The Artist Is Present" gives insight into the life and work of a truly talented lady. Her works may not be for all tastes she but obviously has an audience if MoMA is any indication.
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San Francisco Chronicle
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July 06, 2012

In place of evenhandedness, the film gives us a full sense of a personality and intelligence so riveting that we begin to comprehend why all those hundreds of thousands lined up at the MoMA.
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Observer (UK)
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July 08, 2012

An exhilarating, elegantly executed film that holds a mirror up to the art world, its protagonists and its devotees, forcing us to question the whole circus.
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Time Out
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July 05, 2012

Abramovic is raw and likeable, if mostly inscrutable.
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Trespass
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September 08, 2013

It's a shame that the people who really need to see Matthew Akers' transfixing debut documentary, Marina Abramović: The Artist is Present, won't go near it.
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Boston Globe
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September 06, 2012

"She's never not performing," says one friend. And the documentary, "Marina Abramovic: The Artist Is Present," confirms it.
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Reeling Reviews
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August 29, 2012

...for the 2 1/2 month run of the [MoMA] show, Marina would sit completely still in a chair as visitors cued up to sit across from her and look into her eyes. The effect is incredibly and unexpectedly moving.
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Christian Science Monitor
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June 15, 2012

The film's centerpiece is the retrospective devoted to Abramovic at the Museum of Modern Art in the spring of 2010.
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Boston Phoenix
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August 29, 2012

It demonstrates how cinema can actually make the artist seem present, offering an empathetic fellow consciousness that mirrors one's soul.
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The New Republic
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August 08, 2012

Briskly edited and brightly shot.
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Globe and Mail
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June 15, 2012

The film goes a long way to establish the intellectual seriousness and dedication involved in her ambitious series of art stunts.
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