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Mary Shelley's Frankenstein

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When the brilliant but unorthodox scientist Victor Frankenstein rejects the artificial man that he has created, the revenge-minded Creature, relying on a shared telepathic connection, begins to track Victor.
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HEROES OF "Mary Shelley's Frankenstein"
Mary Shelley's Frankenstein
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Cinema em Cena
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November 20, 2008

Uma das mais fiéis e complexas adaptações da história original, respeitando seus temas principais mesmo que desviando-se, aqui e ali, de pontos específicos da trama.
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Groucho Reviews
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October 26, 2009

Branagh's ambitious take succeeds as a cautionary tale about true monstrosity: hubris and man's inhumanity to man. But one man's operatic style is another man's unintentionally comical excess, and...Frankenstein certainly tempts fate... [Blu-ray]
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Time Out
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January 26, 2006

Not frightening, just silly.
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Video-Reviewmaster.com

February 24, 2008

Different look at the old Frankenstein story, directed by Branagh.
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New York Times

May 20, 2003

Mr. Branagh is in over his head. He displays neither the technical finesse to handle a big, visually ambitious film nor the insight to develop a stirring new version of this story.
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Cinema Crazed
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November 01, 2014

Branagh is very obsessed with chewing the scenery. So much so that he even manages to outdo Robert DeNiro.
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Variety
Resource

June 20, 2008

Kenneth Branagh has indeed created a monster, but not the kind he originally envisioned.
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Apollo Guide

October 14, 2009

Clearly, one person's authentic homage is another person's overwrought teeth-gnashing fest, as Branagh's film never hesitates to slop on the melodramatic mustard.
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TIME Magazine

January 01, 2000

Branagh doesn't evoke terror, only repulsion.
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Movie Metropolis
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October 11, 2009

I'm inclined to give it an 8 now. The more you watch, the more you appreciate how Branagh was able to faithfully retell Shelley's novel while still managing to make it fresh and make it relevant.
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Newsweek
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March 31, 2008

Watching the movie work itself into an operatic frenzy, one remains curiously detached: the grand gestures are there, but where's the music?
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Washington Post
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January 01, 2000

As this movie switches, unevenly, from swashbuckling adventure to classic horror to frilly-shirted romance to campiness to graphic gorefest, there's no telling what you're watching.
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