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Memento (2000)
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Memento (2000)
CRITICS OF "Memento (2000)"
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Baltimore Sun
Resource

March 26, 2014

This is the kind of movie that gas-bag instructors use to illustrate the concept that one man's reality is another's fiction. But it's puny stuff compared to Kurosawa's Rashomon.
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Jam! Movies
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March 26, 2014

Pearce's central performance is as compelling as the film's premise and Nolan's execution of it. In Pearce's hands, Leonard is a time bomb with a short fuse.
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New Yorker
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March 26, 2014

The young British writer and director Christopher Nolan, who has every intention of putting us through the mill, doubles his fun by running the whole story backward.
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Old School Reviews
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January 02, 2013

treats the audience with respect without being overly pretentious
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AV Club
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March 26, 2014

The astonishing payoff takes the film to another level entirely, unleashing a battery of existential questions that shed new light on everything that precedes it.
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Total Film
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March 26, 2014

The three leads are excellent, but it's the masterful execution of an almost-too-clever-for-its-own-good concept which really makes this the most delicious kind of food for the mind.
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Wall Street Journal
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March 26, 2014

I can't remember when a movie has seemed so clever, strangely affecting and slyly funny at the very same time.
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People Magazine

March 26, 2014

This terrific movie, about one man's quest for vengeance, does everything a thriller is supposed to do: intrigue, involve and keep you guessing.
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Orlando Sentinel
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March 26, 2014

You have to pay close attention to Memento, the most original thriller to come along in years -- and one of the best.
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Radio Times
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March 26, 2014

The mystery requires a lot of concentration, but the stunning final scene is ample reward. Not just an indulgence, the ingenious structure makes the point that memory, although unreliable, is what we depend upon for our sense of reality.
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New York Daily News
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March 26, 2014

Writer-director Christopher Nolan's second film is one of the most original and ultimately confounding mind games to reach the screen since The Usual Suspects.
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L.A. Weekly
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March 26, 2014

If nothing else, Memento is a savvy comment on the queasy uncertainties of the postmodern condition, in which history goes no further back than yesterday's news.
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