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Miss Peregrine's Home for Peculiar Children
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Miss Peregrine's Home for Peculiar Children

Description
When tragedy strikes close to home, 16-year-old Jacob 'Jake' Portman is forced to travel to an island in Wales and uncovers a secret refuge known as Miss Peregrine’s Home for Peculiar Children. As he learns about the residents and their unusual abilities, Jake realizes that safety is an illusion, and danger lurks in the form of powerful, hidden enemies.
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CRITICS OF "Miss Peregrine's Home for Peculiar Children"
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Vue Weekly (Edmonton, Canada)
Resource

January 01, 2017

Burton's gothic whimsy crackles and cackles gleefully to life with writhing flourishes of the macabre.
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ScreenCrush
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March 16, 2017

Miss Peregrine's could have been a thoughtful and bold metatextual thesis on Burton's entire career. Instead, like its partially-formed villainous apparitions, it comes frustratingly close to achieving substance.
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New York Daily News
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September 30, 2016

Tim Burton is on macabre message in his latest offering - "Miss Peregrine's Home for Peculiar Children" - an adaptation of Ransom Riggs' popular trilogy.
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NPR
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September 30, 2016

The result feels less like a thoughtfully-conceived franchise-starter than a picture that was rushed out of the editing suite prematurely.
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SFist
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March 23, 2017

Sadly, it will have to be chalked up as another failure.
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The Atlantic
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October 04, 2016

The young peculiars have names, but they don't get much by way of backstory or personality. Despite the movie's insistence that they are special, Miss Peregrine ultimately reduces them to the very thing the world rejected them for: their peculiarities.
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Swagger
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March 03, 2017

It could be said that the film is nothing else than X-Men combined with Back to the Future and Groundhog Day seen under the Burtonian magnifying glass. [Full review in Spanish]
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Christian Science Monitor
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September 30, 2016

To me, Burton's movies always seem a full grade too grotesque for the whimsical stories he is trying to tell... At least in Miss Peregrine, his ghastliness fits the fable, although, even at its best, it's fairly generic Burton.
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El Universal
Resource

February 16, 2017

A film that successfully undertakes the doctrinal appropriation of the ultimate ends of humanity, both the finitude and the finality of life, its death and final judgment and its immediate resurrection. [Full review in Spanish]
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Rolling Stone
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September 30, 2016

The film feels overstuffed, with Tim Burton repeating tricks from his greatest hits (think Beetlejuice and Edward Scissorhands). But stick with it just for those times when Burton flies high on his own peculiar genius.
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Globe and Mail
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September 30, 2016

It's supremely silly and filled with crater-sized plot holes, but it's a profoundly moving film, too - about trauma, about loneliness, about aging and family.
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