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Network
CRITICS OF "Network"
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Movie Mezzanine
Resource

February 04, 2014

Network taps into the hysteria of the television business at a time when the medium was still important, a monolithic and competitive media industry hungry to tap into the next big thing and do anything for ratings.
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The Spectator
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March 27, 2015

Network is neither fair nor modest. It's full of bile, travesty, scolding -- and wry humour.
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Entertainment Weekly
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February 17, 2011

The film's never been more timely.
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Cinemaphile.org
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September 06, 2013

The mystic quality within "Network" is that it pitches curve balls at us that have meanings relative to our unique situations, and all of them encompass a value that is beyond simple comprehension.
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Chicago Reader
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June 26, 2007

Chayefsky was apparently serious about much of this shrill, self-important 1976 satire about television, interlaced with bile about radicals and pushy career women, and so were some critics at the time.
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Times (UK)

March 27, 2015

This tale of a failing network that feeds on the mental breakdown of one of its anchors, cannibalising itself for ratings, feels as savagely relevant now as it did when it was released nearly 40 years ago.
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Hollywood Reporter
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September 26, 2016

Whatever its flaws, Network is a picture that can stand on its own. And does.
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Radio Times
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March 27, 2015

Criticised by some at the time for a certain naivety and lack of subtlety, this remains one of the most devastating condemnations of the media's urge to exploit.
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Time Out
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January 26, 2006

Slick, 'adult', self-congratulatory, and almost entirely hollow.
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Antagony & Ecstasy
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September 17, 2014

Rousing, exciting satire, if not always the most perfectly focused and sophisticated.
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TIME Magazine
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July 18, 2011

The plot that Paddy Chayefsky has concocted to prove this point is so crazily preposterous that even in post-Watergate America -- where we know that bats can get loose in the corridors of power -- it is just impossible to accept.
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New York Times

May 20, 2003

Network can be faulted both for going too far and not far enough, but it's also something that very few commercial films are these days. It's alive.
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