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Notes On Blindness

Description
In the summer of 1983, just days before the birth of his first son, writer and theologian John Hull went blind. John then starts making a diary on audio cassette to make sense of all the changes.
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CRITICS OF "Notes On Blindness"
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Slant Magazine
Resource

November 14, 2016

Its fatal mistake is to make up for blindness, instead of embracing it as something other than a liability.
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MovieMail
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December 12, 2016

Sighted viewers should be thankful enough; for cinemagoers who've suffered or who are suffering sight problems, Notes on Blindness might well comprise the most powerful -- and most empowering -- audio-described screening in years.
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Hollywood Reporter
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November 21, 2016

A deeply sensitive interpretation of the subject's reflective testament on disability.
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RogerEbert.com
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November 16, 2016

Quite often, the filmmakers go for blurry scenery, surreal events and odd camera shots that feel more like gimmicks than an accurate representation of its subject's affliction.
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Film Ireland Magazine
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January 03, 2017

Notes on Blindness is a moving, intimate documentary, a triumph of sound and image, and a poetic examination of love, loss, memory and marriage.
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Chicago Reader
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January 05, 2017

English writer and theologian John Hull, who went blind in the early 1980s and kept an audio diary of his experience, is the subject of this thought-provoking film, which takes an unusual if not always successful approach to the documentary form.
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Film Journal International
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November 16, 2016

This daring re-enactment of one man's going blind is not only successful, but deeply moving and enlightening.
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Village Voice
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November 16, 2016

The filmmakers create art out of what too often is a documentary stopgap.
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NYC Movie Guru
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November 15, 2016

A genuinely moving, profound and haunting experience that might change the way you perceive the sights and sounds around you.
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Los Angeles Times
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December 01, 2016

Achingly poignant and startlingly immediate
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New York Times
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November 15, 2016

The tone of the narration is so wrenchingly honest that the film never lapses into self-pity or relies on mystical platitudes.
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