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Possession (1981)

Description
Possession is a 1981 French-German horror drama directed by Andrzej Żuławski. The film revolves around Mark (Sam Neill) - a spy returning from a spying mission to see that his wife, Anna (Isabelle Adjani), wants a divorce. She does not say why, but insists it is not because she found someone else.
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HEROES OF "Possession (1981)"
Possession (1981)
CRITICS OF "Possession (1981)"
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Antagony & Ecstasy
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September 09, 2010

Its failures would be almost invisible if its successes weren't so excellent.
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Slant Magazine
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November 29, 2011

In much the same way that Possession blurs and blends genres, it also inextricably entangles the personal and the political.
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CinePassion
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February 22, 2016

Zulawski's grand and shivery art-therapy hallucination, a burlesque farrago of domestic dramas played close and fast in a distinctively Polish register
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Horror.com
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August 08, 2008

Are the characters even real? I don't know, and I don't care. Possession is an ostentatious, absurd waterfall of beauty and horror and I let it wash over me.
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Not Coming to a Theater Near You
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October 04, 2013

A film about a woman who fucks an octopus.
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Film Journal International
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December 05, 2011

This delirious psychodrama defies classification and will polarize viewers as thoroughly as it did 30 years ago.
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Chicago Reader
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January 23, 2014

Adjani won the best actress prize at Cannes for her dual performance (as an unfaithful wife and her angelic doppelganger), but the whole cast is astonishing, exorcising painful feelings with an intensity that rivals that of the filmmaking.
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Ozus' World Movie Reviews

November 15, 2010

Uncompromising demented cult oddity.
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Reeling Reviews
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November 06, 2012

The film could be seen as a metaphor for women's liberation, the battle between the sexes, idealization of one's lover, faith vs. fate and/or a political statement...very effective as straight up, very stylish horror.
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Little White Lies

November 02, 2010

really Possession is like nothing else - an uncompromising and idiosyncratic vision of the divisions that exist around, between and within us all.
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Time Out
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November 29, 2011

That the film is much more than a gawk-at-it freak show is testament to Zulawski's talent for making even the most exaggerated behavior resonate with pointed and potent emotion.
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Sci-Fi Weekly
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March 05, 2012

When it comes to the sheer artistry of filmmaking, it's an astounding, jaw-dropping feat of furious beauty.
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