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Q and A (Q&A)
Description
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.
A young district attorney seeking to prove a case against a corrupt police detective encounters a former lover and her new protector, a crime boss who refuses to help him in this gritty crime film.
Keywords:
#Armand Assante #Nick Nolte #Odyssey Distributors #Q and A #Regency International Pictures #Sidney Lumet #Timothy Hutton
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Apollo Guide
November 15, 2003
The type of film that wastes a good afternoon with delicious performances and weak writing.
Moviehole
March 11, 2006
Another tour-de-force for Lumet
New York Times
May 20, 2003
''Q and A'' is most memorable for its performances, beginning with Mr. Nolte's.
Capital Times (Madison, WI)
September 25, 2003
A gritty and morally complex cop thriller featuring a haymaker of a performance from Nolte.
January 01, 2000
Unfortunately, Lumet isn't the brawny social commentator he would like to be -- he's a Jimmy Breslin manque'.
April 05, 2006
Lumet pulls no punches showing a contemporary NYC plagued by racism, violence, crime, tribalism, cronyism, and corruption.
August 11, 2008
Q & A is testimony to the validity of the old adage: a good story, when well told, can never be told too many times.
Fantastica Daily
January 26, 2006
Sidney Lumet's third film about corruption in the NYC police department is a gritty, gripping and profane thriller with a powerhouse performance by an intimidating Nick Nolte.
April 27, 1990
Q&A is a major film by one of our finest mainstream directors. As both a portrait of modern-day corruption and an act of sheer storytelling bravura, it is not to be missed.
eFilmCritic.com
April 02, 2005
Underrated crime drama with a great performance by Nick Nolte.
February 09, 2006
While this tough, fundamentally sound New York thriller has its moments, it's no Prince of the City.
June 19, 2009
A New York at odds with Woody Allen's, albeit also filled with angst; where Allen dissects the middle class in the throes of its own insecurities, Lumet cruises the underbelly