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Rambo First Blood Part I

Description
Vietnam veteran and drifter J J. Rambo accidentally encounters the intolerance and brutality of the local sheriff, and now he must rely on his combat and survival senses against the abusive law enforcement officer.
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Rambo First Blood Part I
CRITICS OF "Rambo First Blood Part I"
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LarsenOnFilm

May 13, 2008

...does get loonier as it goes along, yet for a while it's actually a mournful and sobering action-movie treatment of postwar stress.
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Common Sense Media

December 14, 2010

First and most popular Rambo; and yes, bloody.
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Variety
Resource

March 01, 2007

Director Ted Kotcheff has all sorts of trouble with this mess, aside from credibility.
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Time Out
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January 26, 2006

As a Stallone vehicle this is sleek, slick and not unexciting, but crassly castrates the David Morrell novel on which it is based.
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7M Pictures
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August 15, 2012

a powerful, complex and captivating film that serves as a blockbuster action film and a serious drama
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ReelViews
Resource

April 30, 2009

The darker tone, somber subtext, and generally non-exploitative violence allow viewers to enjoy the film not only as an action/thriller but as something with a degree of intelligence and substance.
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CinePassion
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February 06, 2010

As befits a story of internal conflict, Ted Kotcheff lays out the action in an adroit style derived from Anthony Mann
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Chicago Sun-Times
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October 23, 2004

Sylvester Stallone is one of the great physical actors in the movies, with a gift for throwing himself so fearlessly into an action scene that we can't understand why somebody doesn't really get hurt.
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UGO

June 14, 2008

The entryway to the disturbed psychological headspace of a single man, one bent evermore on survival, instinct trumping all.
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Chicago Reader
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March 01, 2007

This action film hangs on an interesting reversal, taking the crazed-killer-in-the-woods theme from Friday the 13th and turning it inside out-- the psychopath is now our hero, a maladjusted ex-Green Beret played by Sylvester Stallone.
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New York Times

August 30, 2004

First Blood is ragged and flashy; it ought to be a big success with audiences that value action for its own sake.
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