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Red Riding: In the Year of Our Lord 1974

Description
A schoolgirl has lost, and Eddie - a cup reporter suspects it's one of several six - year crimes back; Eddie digs and finds out girl body near John Dawson's house. He teams up with her mother to find the truth.
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CultureCatch

January 19, 2010

Tightly helmed by Julian Jarrold (Kinky Boots) . . . (and) beautifully shot, with some sensational acting turns -- especially by Rebecca Hall as one of the victims' mothers.
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Movie Retriever
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March 10, 2010

A well-made, expertly performed mystery with the added bonus that there are two more films to watch when this one's over.
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Ozus' World Movie Reviews
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January 28, 2011

It envisions Yorkshire as a bleak and ugly place, where violence is just as commonplace as Yorkshire pudding.
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Groucho Reviews
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September 09, 2010

Cigarettes, leather jackets, bell-bottoms, and dollops of pop music establish the socially agreed upon distractions of the particular bygone time: just a few ways of avoiding ugly truths. [Blu-ray]
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Philadelphia City Paper
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March 11, 2010

Each film is enriched by collective detail, but it would have been richer had they played off each other rather than extending the argument.
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Detroit News
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March 19, 2010

The Red Riding films all come across as great, gritty tales of police corruption and human failing, but it's the first film that has the most impact, mainly because the young reporter Dunford is such a mix of romantic notions.
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rec.arts.movies.reviews
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February 17, 2010

...the only one of the films [of the trilogy] which can really stand on its own artistically...
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Times-Picayune
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April 16, 2010

With its muted colors but unmuted violence, it's similar texturally to David Fincher's superb Zodiac, about another 70s serial killer. It's also just as disturbing.
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BrianOrndorf.com
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February 03, 2010

The tenets of crime cinema are well taken care of in 1974, which sets a specifically chest-tightening tone of anxiety and futility that makes the next two pictures (1980 and 1983) impossible to miss.
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ReelViews
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February 25, 2010

It is effective at setting the stage, introducing some of the characters, and capturing the attention of those who love gritty, uncompromising dramas about police corruption and the dark side of human nature.
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Austin Chronicle
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March 19, 2010

This is a noir, the kind where the good-for-nothing gumshoe (here, an investigative reporter) has a habit of getting his face bashed in, usually on account of a girl.
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