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Restless

Description
Restless  is the story of a terminally ill teenage girl who falls for a boy who tries to cope with his parents' deaths by hanging out with a ghost of a Japanese kamikaze pilot and attending the funerals of strangers.
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CREATORS OF "Restless"
Restless
CRITICS OF "Restless"
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TheMovieReport.com
Resource

April 06, 2012

A slight tale whose self-conscious indie quirks fail to lift it beyond familiar Disease of the Week formula.
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Deadspin
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June 23, 2013

This movie pretends it's about death -- our couple meets because Enoch crashes funerals, a literary device that has no relevance here -- but it never scratches past the perfect pale void faces of its leads.
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Detroit News
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October 07, 2011

Restless is consciously lovely in the face of death. How rare.
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Scene-Stealers.com
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January 30, 2012

The couple's ability to see through how people perceive courageous behavior in the face of death forms the heart of the film. Van Sant illustrates that those trappings usually exist only to make the ones who are not sick feel better about themselves.
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Seattle Times

October 06, 2011

This low-budget movie takes its time filling in the backgrounds of its characters. That works for a while, but when it's over you may wonder if that's all there is.
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Critic's Notebook
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October 07, 2015

"Restless" exudes the maturity that eludes Mr. Van Sant's previous fusions of youth and death. It's too bad he still hasn't learned to shower his female leads with the same adoring attention he lavishes on his male ones.
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St. Louis Post-Dispatch
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October 21, 2011

If you haven't seen a wasting disease in real life, you might think "Restless" is romantic. If you have, you might diagnose it as terminally cute.
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SFX Magazine
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January 11, 2013

Better stock up on tissues.
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Arizona Republic
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October 06, 2011

Gus Van Sant doesn't make bad movies.
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Tribune News Service
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January 06, 2013

Quirky, death-obsessed...oddly touching...faintly amusing
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Time Out
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October 18, 2011

All surface, no thought and quite horribly empty.
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Minneapolis Star Tribune
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October 06, 2011

Van Sant lays on the whimsy with a trowel; Wasikowska's quirky thrift-store wardrobe and twinkling performance are enough to trigger migraines.
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