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Rushlights
Description
Billy Brody (Josh Henderson) and Sarah (Haley Webb) are a young couple decide to a small Texas town because of a dead friend's inheritance. Everything seems to be a nightmare when they encounter the extraordinary underworld of Tremo.
Billy Brody (Josh Henderson) and Sarah (Haley Webb) are a young couple decide to a small Texas town because of a dead friend's inheritance. Everything seems to be a nightmare when they encounter the extraordinary underworld of Tremo.
Actors:
Terence Bernie Hines,
Ciro Suarez,
Phoebe Holston,
Eileen Grubba,
Amanda Carlin,
Philip Lenkowsky,
Brian Boyd
Terence Bernie Hines
9 April 1969, Detroit, Michigan, USA
Ciro Suarez
Phoebe Holston
Eileen Grubba
Amanda Carlin
Philip Lenkowsky
Brian Boyd
Director:
Antoni Stutz
Antoni Stutz
Country:
United States
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July 25, 2013
A genre exercise that shows some promise, but descends from pleasant obfuscation into patent absurdity.
July 29, 2013
Drifts glumly from one ludicrous narrative development to the next.
June 20, 2013
They say it isn't nice to kick a dog when it's down. But man, there are a lot of dogs in "Rushlights"...
July 21, 2013
In this film about murder, the last 10 minutes are enough to kill me.
June 20, 2013
There are too many twists in Antoni Stutz's uninvolving "Rushlights."
August 19, 2013
The story is competently told, the direction suits the mood, and the performances are convincing even if the characters aren't very deep.
June 27, 2013
Polished but unmemorable.
July 27, 2013
Stutz has crafted a decent thriller, actually. A lesser-man's Body Heat
June 20, 2013
It all dwindles into "Who cares" long before the end of the road.
July 26, 2013
With more engaging leads this film might be one that people would want to see a second time--just to get straight all that happened.
June 21, 2013
Maybe noir just feels a bit old at this point. No matter what, the movie isn't worth the Texas heat.
June 20, 2013
Whatever pleasure could be derived from the movie's generically twisty plotting is negated by cardboard characterization, indifferent editing rhythms, and a score that sounds like it was pulled from a production music library.