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Suspiria (2018)

Description
Young American dancer Susie Bannion arrives in 1970s Berlin to audition for the world-renowned Helena Markos Dance Co. When she vaults to the role of lead dancer, the woman she replaces breaks down and accuses the company's female directors of witchcraft. Meanwhile, an inquisitive psychotherapist and a member of the troupe uncover dark and sinister secrets as they probe the depths of the studio's hidden underground chambers.
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Suspiria (2018)
CRITICS OF "Suspiria (2018)"
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The Skinny
Resource

December 12, 2018

Languorous and muted, with muddled plot lines and a very open approach to the coven of horror that the original film kept a little more secretive.
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Q Network Film Desk
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December 15, 2018

packs the narrative with an overt political history that never really coheres with the dramatic narrative and its distinctly feminine horrors
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Globe and Mail
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November 02, 2018

The filmmakers' insatiable curiosity and grandiose sense of spectacle keeps Suspiria from becoming half as annoying as it should be.
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Mark Leeper's Reviews
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December 10, 2018

Some sequences offer beautiful art while others are ponderous and slow
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Chicago Reader
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November 01, 2018

Guadagnino is so intent on fulfilling his vision he doesn't seem to have room for any perspective besides his own, leaving the women in his narrative underserved in spite of his incredibly skilled efforts.
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Another Gaze
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December 17, 2018

It is an argument that confuses stylishness with subtext and empty signifiers with intellectual heft.
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Chicago Sun-Times
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November 02, 2018

Ambitious, grandiose, occasionally compelling but far more often irritating and laughable.
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Alachia Queen
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December 14, 2018

I was promised a thrilling horror about a coven of witches but ended up with what seemed like a thesis on German culture in the late 1970s.
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Detroit News
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November 01, 2018

"Suspiria" casts quite a spell.
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Cinematismo
Resource

December 12, 2018

A dance about the obscure in the human being. An introspection to our psyche. A domination that has excerciced the power on the woman's body in the past and in the present. [Full review in Spanish]
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San Diego Reader
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November 02, 2018

The Argento is a marvel of style-as-subject; Guadagnino subjects audiences to second-hand shocks.
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Toronto Star
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November 01, 2018

"It's a mess, isn't it?" Susie says at one point, and she's certainly got that right.
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