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Texas Killing Fields
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Texas Killing Fields

Description
In the Texas bayous, after a familiar girl goes missing, a local homicide detective teams up with a cop from New York City to race against time before a serial killer claims her as his next victim.    
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CRITICS OF "Texas Killing Fields"
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CNNRadio
Resource

February 02, 2012

"Texas Killing Fields" is nothing more than an average crime thriller with some better-than-average suspense. Paul Chambers, CNN.
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Deadspin
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June 23, 2013

The film doesn't really go anywhere or establish any narrative sense, which is problem, since it's ostensibly a police procedural.
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Chicago Reader
Resource

October 20, 2011

[A] southern-fried rehash of David Fincher's Seven.
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Cinema Signals
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February 01, 2012

Don Ferrarone's script could have used one more revision for sequential flow, character depth and back-story clarity. But there's promise for Ms. Mann.
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Chicago Sun-Times
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October 20, 2011

Scenes do not always necessarily follow one another. I was sometimes unclear who some of the characters were.
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Ozus' World Movie Reviews
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May 28, 2017

A downbeat but atmospheric police-procedural thriller, that works in parts but not as a whole because of serious plot holes making it incoherent.
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Houston Chronicle
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October 21, 2011

The characters will be familiar to fans of police procedural shows and TV movies.
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Eclipse Magazine
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April 22, 2012

I know many people don't like Sam Worthington and I'm one of them. Worthington is trying to prove that he's not the one-dimensional actor that we all think he is.
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New York Daily News
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October 14, 2011

The only notable element of this police procedural is that director Ami Canaan Mann, daughter of filmmaker Michael Mann ("Heat," "Collateral"), who produced here, appreciates dad's esthetic but can't replicate it.
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7M Pictures
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February 13, 2012

depressing characters slogging through a depressing story for a depressing movie
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Arizona Republic
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October 20, 2011

The story simply doesn't stand up, with its combination of well-worn plot elements and confusing red herrings -- or maybe they're just details that don't add up.
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New York Post
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October 14, 2011

Long on style and short on coherent storytelling...
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