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The BFG (2016)
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The BFG (2016)

Description
The American fantasy adventure follows a Big Friendly Giant who is considered an outcast by the other giants because, unlike them, he refuses to eat children as he shows a kind heart towards Ten-year-old Sophie.
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The BFG (2016)
CRITICS OF "The BFG (2016)"
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Hindustan Times
Resource

January 01, 2017

An undeniable master at telling deeply affecting matinee-style tales, [Spielberg's] 29th feature retains enough magical elements from the source novel to delight kids and captivate adults.
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New Zealand Herald
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February 17, 2017

The BFG is visually stunning and laugh-out-loud funny at times, but lacks the beloved bite of other Dahl film adaptations.
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The Atlantic
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July 01, 2016

Rylance has again brought something transformational to a Spielberg film. He gives the kind of performance you can't look away from, even with all the big-budget delights.
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PopMatters
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December 30, 2016

Spielberg's latest is glorious: an intelligent, rich and huge-hearted family film that's a treat both to look at and to listen to.
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Detroit News
Resource

July 01, 2016

As a character, the BFG is a wondrous creation, and Rylance does a magnificent job bringing him to life.
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SFist
Resource

March 23, 2017

It's just a shame some strong performances are stuck in such an uneven movie
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Christian Science Monitor
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July 01, 2016

Rylance gives a rueful rendition of the friendly giant.
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Film Ireland Magazine
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January 03, 2017

Every time Spielberg reaches for the stars with The BFG, they just pass right through his fingers.
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RogerEbert.com
Resource

July 01, 2016

"The BFG" remembers what it's like to see with the eyes of a child.
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TheShiznit.co.uk
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January 01, 2017

The BFG creaks under the weight of its second act so much, you take a long while to appreciate the third, even though it has a lot to enjoy.
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ReelViews
Resource

July 01, 2016

In recent years, Spielberg has become a hit-and-miss filmmaker and this is closer to a "miss" than a "hit."
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Philadelphia Inquirer
Resource

July 01, 2016

In Spielberg's grasp - mixing live-action and green screen, CG and motion-capture effects - the 1982 children's story becomes a large-scale tableau of impossibly wonderful images ...
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