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DIRECTORS OF "The Good Guy"
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CREATORS OF "The Good Guy"
The Good Guy
CRITICS OF "The Good Guy"
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Shared Darkness
Resource

February 25, 2010

A sort of much more polite, estrogenized filmic companion piece to a lost, mid-era Bret Easton Ellis novel, this movie has a different, interesting cant than most films of its ilk, but can't quite turn that positive into a deal-closing recommendation.
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Arkansas Democrat-Gazette
Resource

July 03, 2010

Mild, pleasant, obvious romantic comedy set on Wall Street that's most notable for its (maybe accurate) portrayal of young brokers as amoral idiots oblivious to the real-life consequences of their risky business.
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Entertainment Weekly
Resource

March 03, 2010

The Good Guy has a few half-cute moments, some chuckles, and enough pretty faces to cast at least two TV pilots. What it doesn't have is a clue.
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NYC Film Critic
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February 22, 2010

For a movie that clearly aspires to be an up-to-the-minute representation of New York City, The Good Guy already feels quite dated.
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New York Daily News
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February 19, 2010

There's too little difference between the good guys and the bad guys in Julio DePietro's uninspired debut, a slickly cynical romance destined to be quickly forgotten.
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Common Sense Media

December 31, 2010

High-reaching adult drama with lots of language, drinking.
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Boston Globe
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March 04, 2010

It's network television drama, starring actors best known for their TV work and full of the petty gripes and mild worries of characters who really have nothing compelling to worry about.
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DVDTalk.com
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June 17, 2010

Even on a reduced scale of expectation, Good Guy is stunningly empty and obvious, missing its mark as a cautionary tale or a romantic sojourn, instead slogging along a preordained trail of cliché.
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Los Angeles Times
Resource

February 19, 2010

Drawing on his stint at a Chicago investment firm, DePietro creates characters, dialogue and situations that feel authentic, which makes the film relevant in unexpected ways, though not as deeply as you hope he'll do in the future.
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Boston Phoenix
Resource

March 04, 2010

Writer/director Julio DePietro's first effort is every bit as obvious as it sounds, thudding from one symmetrically perfect cliche to another.
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Chicago Sun-Times
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March 04, 2010

It has smart characters, and is wise about the ones who try to tame their intelligence by acting out.
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New York Times

February 19, 2010

resh enough to provide the voyeuristic kick of glimpsing the frenzied lifestyle of aspiring masters of the universe.
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