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The Good, The Bad And The Ugly
Description
Tuca (a scoundrel knows where gold is buried) but unfortunately, Blondie (a good person) knows the specific grave. And they go together though previously they have a feud. Another person is Angel Eyes (a bad guy), who is on the road looking for this treasure. What will happen? And are they successful?
Tuca (a scoundrel knows where gold is buried) but unfortunately, Blondie (a good person) knows the specific grave. And they go together though previously they have a feud. Another person is Angel Eyes (a bad guy), who is on the road looking for this treasure. What will happen? And are they successful?
Actors:
Aldo Sambrell,
Antonio Molino Rojo,
Al Mulock,
Antonio Palombi,
Fortunato Arena,
Antonio Casas,
Antonio Casale

Aldo Sambrell
23 February 1931, Madrid, Madrid, Spain

Antonio Molino Rojo
14 September 1926, Valencia, Spain

Al Mulock
30 June 1926, Toronto, Ontario, Canada

Antonio Palombi

Fortunato Arena
May 23, 1922 in Calabria, Italy

Antonio Casas
11 November 1911, A Coruña, Galicia, Spain

Antonio Casale
17 May 1932, Italy
Genre:
Action
Country:
Italy, Spain, West Germany
Keywords:
#Aldo Giuffrè #Clint Eastwood #Eli Wallach #Lee Van Cleef #Mario Brega #Sergio Leone #The Bad and the Ugly #The Good
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Potent Italian-Western shoot-'em up/war drama.
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Leone's liberal use of widescreen shots in conjunction with extreme close-ups gives the movie an epic quality that is matched in scope by a skeletal narrative structure that breathes with a poker-faced mood, tone, and personality.
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Though ordained from the beginning, the three-way showdown that climaxes the film is tense and thoroughly astonishing.
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Its parody of genre conventions resonates with scope and power.
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Sergio Leone's grandiose 1966 western epic is nothing less than a masterclass in movie storytelling, a dynamic testament to the sheer, invigorating uniqueness of cinema.
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There are two kinds of people, my friend. Those who love Sergio Leone's The Good, the Bad and the Ugly (1966) and those who resist the machismo and gallows humor of what is arguably the definitive spaghetti western.
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All three arrive at the cache at the same time. Who gets it? Director Leone doesn't seem to care very much, and after 161 minutes of mayhem, audiences aren't likely to either.
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A unique vision of the American West as place of desolation and ruin on a truly epic scale.
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July 22, 2008
The third in the Clint Eastwood series of Italo westerns, The Good, the Bad and the Ugly is exactly that -- a curious amalgam of the visually striking, the dramatically feeble and the offensively sadistic.
Detroit Free Press
September 11, 2003
Of all the great films of the 1960s, The Good, the Bad and the Ugly is one of a fistful that can be truly appreciated only on the big screen.