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The Last Heist
Description
A bank heist descends into violent chaos when one of the hostages turns out to be a serial killer (Henry Rollins) . The killer then targets the professional thieves after police trap them inside a bank.
A bank heist descends into violent chaos when one of the hostages turns out to be a serial killer (Henry Rollins) . The killer then targets the professional thieves after police trap them inside a bank.
Actors:
Cris DAnnunzio,
Lombardo Boyar,
Robert Craighead,
John OBrien,
Courtney Compton,
Ace Marrero,
Kristina Klebe
Cris DAnnunzio
26 July 1965, Olean, New York, USA
Lombardo Boyar
1 December 1973, El Paso, Texas, USA
Robert Craighead
John OBrien
Courtney Compton
Ace Marrero
28 July 1982, Perth Amboy, New Jersey, USA
Kristina Klebe
18 June 1979, New York City, New York, USA
Genre:
Action
Director:
Mike Mendez
Mike Mendez
Country:
United States
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May 20, 2016
Rollins is the only redeeming element in this incompetently dull heist-splatter movie mash-up.
June 16, 2016
While it has a sharp hook - and is reasonably diverting - it never rises above the routine.
July 07, 2016
Your enjoyment of [the film] is contingent almost entirely upon the ability to forgive shoddy scripting... mediocre acting, fitful pacing, laughable effects and visuals that test the bounds of the word "cheap" under the guise of B-movie fare.
June 16, 2016
Basically covered in digital manipulation, ruining potential tension and weakening shock value, finding attention drawn to iffy craftsmanship, not core dramatics.
June 17, 2016
Henry Rollins' performance as a philosophical L.A. serial killer is the only reason to see this slipshod indie bank-hostage thriller.
June 17, 2016
You've seen this heist movie a thousand times before, and not even an eye-snatching serial killer can liven up such archaic plotting.
June 17, 2016
The film rarely comes to life because Rollins, the only compelling actor in the otherwise amateurish cast, is underutilized, and virtually everything else underdeveloped.
June 16, 2016
There's not much drama, because the characters are so one-word thin [...] that it's hard to care what they do or what's done to them.