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The League of Extraordinary Gentlemen
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The League of Extraordinary Gentlemen

Description
In an attempt to save security in the region and face the corrupted men that seek to dominate the world by starting wars on, a powerful and loyal man named Allan Quatermain, does his best to find the evil Fantom, who makes a team of evil to start another World War.
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DIRECTORS OF "The League of Extraordinary Gentlemen"
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HEROES OF "The League of Extraordinary Gentlemen"
The League of Extraordinary Gentlemen
CRITICS OF "The League of Extraordinary Gentlemen"
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Joe Lozito
Resource

July 14, 2007

Easily one of the worst films I've ever seen.
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Felix Vasquez Jr.
Resource

April 29, 2009

A guilty pleasure from top to bottom
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Charles Taylor
Resource

July 16, 2003

Despite Sean Connery and some impressive 19th century gloom, this big-screen translation of Alan Moore's culty comic-book series falls to earth with an incoherent splat.
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Daniel Eagan
Resource

March 01, 2007

So little of real consequence is at stake that you'll have plenty of time to notice how the names on not one but two tombstones are misspelled.
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Ed Park
Resource

July 15, 2003

Even if, per Wilde, all art is quite useless, it need not be quite as useless as this.
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Nell Minow

December 28, 2010

Enough deaths here for a more restrictive rating.
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Jonathan Rosenbaum
Resource

April 26, 2007

A stiff.
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Urban Cinefile Critics
Resource

October 18, 2008

Without a strong, juicy villain -- one that we love to hate -- the film lacks an important ingredient.
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Richard Roeper

July 14, 2003

This film is odd, loud, unintentionally funny and quite awful.
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Mark Halverson
Resource

August 07, 2008

This grouping of extraordinary egos brushes against the personality flaws and clashes that initially make the film intriguing, but then the film slips into a special-effects extravaganza with a monstrous, rampaging Mr. Hyde headlining.
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Derek Adams
Resource

February 09, 2006

... the effects and sets are marvellously fantastical and there are one or two neat comical allusions to the heroes' literary roots. But where's the excitement, the thrills, the tension, the style?
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Desson Thomson

July 11, 2003

This isn't a blend of modern and classic so much as a collision.
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