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The Raid: Redemption
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The Raid: Redemption

Description
In Jakarta, Indonesia, the Lieutenant Wahyu organizations deployed an attack on a building  which used to be the hotbeds of Tama and his gang. SWAT team was trapped on the seventh floor, they know that Lieutenant Wahyu had not informed his superiors about this situation. Therefore, the police officers had to fight with limited ammunition to fight against gangs who were armed and extremely dangerous.
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The Raid: Redemption
CRITICS OF "The Raid: Redemption"
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Lyles' Movie Files
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May 20, 2013

You really have an obligation to see it to witness what has a legitimate claim of being the best action film of all time.
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Bangkok Post
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May 10, 2016

The Raid thrives on a passion for extreme cinema that is rooted more in the universal taste for blood and butchery.
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Film.com
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April 19, 2012

The movie gets a little slow when it settles down for some routine dialogue or plot development, but it's never more than a couple minutes before break time is over and it's back to the insane fighting stunts.
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Las Vegas CityLife
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April 21, 2013

Gareth Huw Evans doesn't swipe plot points as much as organically build a taut, expertly choreographed heir to urban mayhem fantasies
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St. Louis Post-Dispatch
Resource

April 13, 2012

"The Raid: Redemption" is built on shaky and blood-soaked ground, but if towering technique is all you want from an action movie, then yippee-ki-yay.
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MTV
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February 07, 2017

Incredible fist-pumping fight scenes.
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Film.com
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August 28, 2013

My only complaint about The Raid is that it ended.
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Philadelphia Weekly

May 03, 2015

A triumph of fight choreography, spatial relations and precious little else.
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Arizona Republic
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April 11, 2012

Evans doesn't bother much with story or character development, instead making his film a kind of brutal ballet.
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Film Comment Magazine
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November 05, 2013

Hollywood is particularly unsuited to producing sensation cinema these days.
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Time Out
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May 15, 2012

For now, count 'The Raid' alongside the likes of Peter Jackson's 'Bad Taste' or Guillermo del Toro's 'Mimic': a talented young filmmaker flexing his muscles, stating his intent, and promising better things in the future.
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New Yorker
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April 09, 2012

The movie is a gory free-for-all, a horror film dressed up as an action film, and it's as pure a shot of adrenaline as any Tarantino fan could wish for.
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